MP3: Wild Nothing – “Paradise”
Many tracks on Nocturne make more use of guitar than “Paradise”, which sits somewhere in the ’80s synth-pop realm. A wistful synth pad gently backs a few guitar lines and pulsating snare, as Tatum assumes a somber and deeper vocal tone suited to the synths. It’s in slight contrast to efforts like “Nocturne” and “Through the Grass”, where he sings in a slightly nasally pitch over more aggressive guitar pushes and striking interweaving. This sort of variation on Nocturne is one of the reasons it’s one of the most memorable releases of 2012. Expect the review in a few weeks. In the meantime, enjoy “Paradise” and “Shadow”. Also be sure to check out their excellent full-length debut from 2010, Gemini, if you haven’t already.
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