“Home” is an impressive showing from Mark Ferg, capturing the anxiety inherent in a world of over-policing and discrimination. A comforting piano tone is quickly interrupted by a police siren, as Ferg’s
New Tracks
“Grow” is a track out today from PIERCED, showing a majestic sound with spine-chilling vocals and synth flourishes. The mysteriously engaging vocal presence engrosses, with a cool uptick in effervescence at the
A haunting beat and captivating flow are consistent throughout “JUNE,” the latest from StayLitG. “It was made when I first moved to LA, a huge turning point in my life,” StayLitG says.
Showing admirable post-punk and Kraut-rock inspiration, the duo Ferdishenko impress with new track “Vanishing Spark.” Ghostly vocals and percussive pit-patter expand alongside murky guitars. Drifting, soaring vocals echo throughout, giving way to
The first track from solo artist Wa’el, “I Love You Why Would I Ever Leave? (Oh Right, and I’m Pretty High)” shows a serene form of pop with soaring tendencies. A heavenly
“Dance With Me” is a catchy, moody slice of soul from SONI, who impressed with the track “Happy to Serve” in June. “Dance With Me” shows even more soulful infection. The “found
A clear nod to ’60s psychedelic music, and Bowie and The Beatles in particular, “The Madmen” is a melodic new track from Nashville-based duo Calico Mantra. The track’s Bowie-esque vocal delivery is
Impressing in the past with enjoyably mellow forms of folk and R&B, with tracks like “Chico Bien” and “Hey Maria,” Sara Ontaneda finds similar enjoyment — with a touch of synths and
New Albums
Showcasing a sound that succeeds across both cinematic folk expanses and hooky indie-pop charm, It Would Be Enough is the new album
MoreA tapestry of warm folk, melodic rock, and introspective songwriting shines throughout Idling High, the new album from California-based artist Jake Cassman.
MoreNashville-based singer-songwriter Jessi Robertson crafts a journey of self-discovery and unmasking on Dark Matter, her latest album. “This spring, I was diagnosed
MoreBones For The Boatman marks the third solo album from Toronto-based musician Lennox C.B., who pairs dark folk-rock and psych-tinged atmospheres with
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