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	<title>Phantogram Archives | Obscure Sound: Indie Music Blog</title>
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	<title>Phantogram Archives | Obscure Sound: Indie Music Blog</title>
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		<title>MP3: Sleigh Bells &#8211; &#8220;Born to Lose&#8221;</title>
		<link>https://www.obscuresound.com/2011/12/mp3-sleigh-bells-born-to-lose/</link>
					<comments>https://www.obscuresound.com/2011/12/mp3-sleigh-bells-born-to-lose/#respond</comments>
		
		<dc:creator><![CDATA[Mike Mineo]]></dc:creator>
		<pubDate>Thu, 15 Dec 2011 23:44:13 +0000</pubDate>
				<category><![CDATA[Tracks]]></category>
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		<guid isPermaLink="false">http://obscuresound.com/?p=7779</guid>

					<description><![CDATA[<p>"Born to Lose" is the first single from Sleigh Bells' second album Reign of Terror, out this February. Judging by this single (MP3 inside), listeners can expect the same sort of cheerleader-like vocal chants and voraciously fuzzy guitar riffs found on 2010's Treats, their widely acclaimed debut full-length. Fun stuff as usual.</p>
<p>The post <a href="https://www.obscuresound.com/2011/12/mp3-sleigh-bells-born-to-lose/">MP3: Sleigh Bells &#8211; &#8220;Born to Lose&#8221;</a> appeared first on <a href="https://www.obscuresound.com">Obscure Sound: Indie Music Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img fetchpriority="high" decoding="async" class="aligncenter size-full wp-image-7780" title="sleigh bells music" src="http://obscuresound.com/wp-content/uploads/sleigh-bells.jpg" alt="" width="422" height="280" srcset="https://www.obscuresound.com/wp-content/uploads/sleigh-bells.jpg 422w, https://www.obscuresound.com/wp-content/uploads/sleigh-bells-163x109.jpg 163w, https://www.obscuresound.com/wp-content/uploads/sleigh-bells-105x70.jpg 105w, https://www.obscuresound.com/wp-content/uploads/sleigh-bells-300x199.jpg 300w, https://www.obscuresound.com/wp-content/uploads/sleigh-bells-180x119.jpg 180w, https://www.obscuresound.com/wp-content/uploads/sleigh-bells-350x232.jpg 350w" sizes="(max-width: 422px) 100vw, 422px" /></p>
<p><center><object width="100%" height="81" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowscriptaccess" value="always" /><param name="src" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F30738263" /><embed width="100%" height="81" type="application/x-shockwave-flash" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F30738263" allowscriptaccess="always" /></object> <span><strong>MP3: <a href="http://soundcloud.com/obscuresound/sleigh-bells-born-to-lose/download.mp3" target="_blank">Sleigh Bells &#8211; Born to Lose</a></strong></span></center></p>
<p>&#8220;Born to Lose&#8221; is the first single from Sleigh Bells&#8217; upcoming second album<em> Reign of Terror</em>, out this February. Judging by this single, listeners can expect the same sort of cheerleader-like vocal chants and voraciously fuzzy guitar riffs found on 2010&#8217;s <a href="http://www.amazon.com/gp/product/B003P72KGC/ref=as_li_ss_tl?ie=UTF8&amp;tag=obscuresound-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B003P72KGC" target="_blank"><em><em>Treats</em></em></a>, their widely acclaimed debut full-length. Fun stuff as usual.</p>
<p><em><a href="http://www.myspace.com/sleighbellsmusic" target="_blank">MySpace</a> / </em><a href="http://www.amazon.com/gp/product/B003P72KGC/ref=as_li_ss_tl?ie=UTF8&amp;tag=obscuresound-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B003P72KGC" target="_blank"><strong>BUY</strong></a></p>
<p>The post <a href="https://www.obscuresound.com/2011/12/mp3-sleigh-bells-born-to-lose/">MP3: Sleigh Bells &#8211; &#8220;Born to Lose&#8221;</a> appeared first on <a href="https://www.obscuresound.com">Obscure Sound: Indie Music Blog</a>.</p>
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		<title>Sleigh Bells: Destroying Speakers Since 2009</title>
		<link>https://www.obscuresound.com/2010/04/sleigh-bells-destroying-speakers-since-2009/</link>
					<comments>https://www.obscuresound.com/2010/04/sleigh-bells-destroying-speakers-since-2009/#comments</comments>
		
		<dc:creator><![CDATA[Jay Mattson]]></dc:creator>
		<pubDate>Thu, 29 Apr 2010 18:48:02 +0000</pubDate>
				<category><![CDATA[Features]]></category>
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		<guid isPermaLink="false">http://obscuresound.com/?p=4398</guid>

					<description><![CDATA[<p>Today, a venerable volcano of lo-fi indie pop/rock has been erupting from the New York scene (see Vivian Girls, Cymbals Eat Guitars, etc.). Sleigh Bells have taken elements of this scene and infused a grandiose sense of noise and rock so succinctly that it feels effortless in the face of so many down-tempo acts who rigorously attempt to provide their own uniqueness in a sea of similar bands.</p>
<p>The post <a href="https://www.obscuresound.com/2010/04/sleigh-bells-destroying-speakers-since-2009/">Sleigh Bells: Destroying Speakers Since 2009</a> appeared first on <a href="https://www.obscuresound.com">Obscure Sound: Indie Music Blog</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><img decoding="async" class="aligncenter size-full wp-image-4399" title="sbellz1" src="http://obscuresound.com/wp-content/uploads/2010/04/sbellz1.jpg" alt="" width="362" height="240" /></p>
<p style="text-align: center;">by Jay Mattson</p>
<p>If you haven&#8217;t heard Sleigh Bells yet, you haven&#8217;t been listening hard  enough.  If you <em>have</em> heard Sleigh Bells, your hearing (and speakers)  have already taken quite a beating.  In late 2009, Derek Miller and  Alexis Krauss rose out of the mist of the CMJ Music Marathon and dropped  a treble-saturated bomb onto the underground music world.  The band&#8217;s  first single, &#8220;Crown on the Ground&#8221;,  is a monstrous song; it surges with  an energy rarely seen in today&#8217;s indie scene.  It&#8217;s not surprising,  though, as Miller used to be a member of hardcore outfit Poison the  Well.  What is surprising is about Krauss&#8217; musical background is her  involvement with girl-pop group Rubyblue.  Somehow, one  part hardcore guitarist + one part pop princess = gritty, infectious  noise-rock.  CMJ was the beginning of the Sleigh Bells onslaught, but it  was just that: the beginning.</p>
<p>In early 2010, Sleigh Bells was confirmed to play both Coachella Music  &amp; Arts Festival and Pitchfork Music Festival.  Overlapping acts  between Coachella and Pitchfork isn&#8217;t uncommon (see Beirut in 2009 and  Pavement this year).  Miller and Krauss, though, succeeded in booking  two of the major indie music festivals this year <em>without a proper  release of any sort. </em>With only a single (technically unreleased)  CD-R under their belt, Sleigh Bells still managed to catch the attention  of anyone who heard them.  In love-it-or-hate-it fashion, some  listeners have trouble getting past their utterly forceful jams, others  can&#8217;t get enough (myself included).</p>
<p>The third track on their demo disc, <em>2HELLWU CD-R</em>, &#8220;Beach  Girls&#8221;, shows how versatile Sleigh Bells aims to become.  While not  veering from the over-the-top treble work of &#8220;Crown on the Ground&#8221;, it is a different kind of  noise.  Synthesizers play a heavy roll on &#8220;Beach Girls&#8221;, which adds to  the motif of the track and feels like a dystopian version of what a  beach jam should be.  With &#8220;Infinity Guitars&#8221;, yet another facet of  Sleigh Bells is revealed to the tune of murky, dirty &#8217;90s rock mixed with  a beat-conscious producer.  My favorite track on the CD-R has to be  &#8220;A/B Machines&#8221;, a song that swells with a twisted, gnarled melody that  would make Jesse Keeler and Sebastian Grainger cringe with excitement.   Oddly, the &#8216;title track&#8217;, &#8220;2HELLWU&#8221;, is the most soft-spoken, tender  track of the bunch, with only minimal backing for Krauss&#8217; impeccable  vocal style.</p>
<p><img decoding="async" class="aligncenter size-full wp-image-4400" title="sbellz2" src="http://obscuresound.com/wp-content/uploads/2010/04/sbellz2.jpg" alt="" width="367" height="240" /></p>
<p>Recently, Miller and Krauss released the first single  from their debut album, <em>Treats</em>. Aptly named  &#8220;Tell &#8216;Em&#8221;, it is a confident showing of excellence.  Seeing as this track will probably be the first Sleigh  Bells song heard by a broader audience, it delivers a sincere and  powerful representation of the material we&#8217;ve already heard.   Power-guitars and smoldering drum work succeeds in destroying my  speakers (yet again) while pulling me in so hard that I can&#8217;t turn it  off, even to save my poor Korean-brand sub-woofer from certain doom.</p>
<p>It&#8217;s hard to categorize Sleigh Bells.  Today, a venerable volcano of  lo-fi indie pop/rock has been erupting from the New York scene (see  Vivian Girls, Cymbals Eat Guitars, etc.). Miller and Krauss have taken  elements of this scene and infused a grandiose sense of noise and rock  so succinctly that it feels effortless in the face of so many down-tempo  acts who rigorously attempt to provide their own uniqueness in a sea of  similar bands.  If <em>Treats</em> doesn&#8217;t deliver, it might be one of  the biggest letdowns of the year.  But that doesn&#8217;t seem likely.  Sleigh  Bells has, thus far, shown impressive ability to create amazing music,  and that momentum doesn&#8217;t seem to to be slowing down any time soon.<em> Treats </em>is out May 11th on N.E.E.T and Mom + Pop Records.</p>
<p><em>RIYL: Dum Dum Girls, Best Coast, Toro y Moi, Neon Indian, Real Estate, Beach Fossils, Phantogram, Smith Westerns, Titus Andronicus, Beach House, Zola Jesus, Girls, Penguin Prison, Delorean, Eternal Summers</em></p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;</p>
<p><strong><a href="http://mineorecords.com/mp3/sbell-rin.mp3" target="_blank">Sleigh Bells &#8211; Ring Ring</a><a href="http://mineorecords.com/mp3/samami-you.mp3" target="_blank"><br />
</a></strong></p>
[audio:http://mineorecords.com/mp3/sbell-rin.mp3]
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<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;</p>
<p><strong><a href="http://mineorecords.com/mp3/sbell-bea.mp3" target="_blank">Sleigh Bells &#8211; Beach Girls</a><a href="http://mineorecords.com/mp3/samami-you.mp3" target="_blank"><br />
</a></strong></p>
[audio:http://mineorecords.com/mp3/sbell-bea.mp3]
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;</p>
<p><strong><a href="http://mineorecords.com/mp3/sleigh-cro.mp3" target="_blank">Sleigh  Bells &#8211; Crown on the Ground</a><a href="http://mineorecords.com/mp3/samami-you.mp3" target="_blank"><br />
</a></strong></p>
[audio:http://mineorecords.com/mp3/sleigh-cro.mp3]
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;</p>
<p><a href="http://www.myspace.com/sleighbellsmusic" target="_blank"><em>MySpace</em></a></p>
<p><a href="http://www.google.com/search?hl=en&amp;safe=off&amp;client=firefox-a&amp;hs=p0t&amp;rls=org.mozilla%3Aen-US%3Aofficial&amp;q=2hellwu+sleigh+bells+mediafire&amp;aq=f&amp;aqi=&amp;aql=&amp;oq=&amp;gs_rfai=" target="_blank"><strong>2HELLWU</strong></a></p>
<p>The post <a href="https://www.obscuresound.com/2010/04/sleigh-bells-destroying-speakers-since-2009/">Sleigh Bells: Destroying Speakers Since 2009</a> appeared first on <a href="https://www.obscuresound.com">Obscure Sound: Indie Music Blog</a>.</p>
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