A melodic, textured rock sophistication enamors throughout “Out of Practice,” a newly released track from Plastic Jaguar. The project is a bi-coastal collaboration, comprising Jordan Olberg and Scott Lingner, who first became friends in college and then began collaborating due to a shared love for dynamic, impactful sounds — particularly in the realms of psych-pop, post-punk, chamber pop, and jazz. As such, the project’s result is eclectic and powerful, full of savvy switch-ups.

Gorgeous guitar trickling and steady rhythms combine as vague vocals move with serene intrigue, moving into a vocal reveal: “Jump now that the lonely home you’re in comes down.” Swooning wordless vocals signal a gripping expanse, heightening into twinkling piano as the one-minute turn passes. The jazzy pop allure around 01:40 makes for a resonating switch-up, book-ended by theatrical rock entrancement, and especially riveting brass and piano work in the final minute. “Out of Practice” is a tour-de-force display of musicianship and tonal variety from Plastic Jaguar.

The duo elaborate further on the track’s themes:

“Out of Practice is a song about trying to re-enter life after a long period of emotional withdrawal. It’s a song about the images of ourselves we project to the world, and what happens when you realize you’re not living up to them and you aren’t sure you even care. When you are tired of maintaining a persona, when you are done performing a role, when you are ready to embody your own life again, to take the steering wheel after years in the passenger seat.”

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This and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

The post Plastic Jaguar – “Out of Practice” appeared first on Obscure Sound: Indie Music Blog.

Showcasing an alluring sophisti-pop sound, Second Mansions is the newly released album from Le Concorde, the project of singer-songwriter Stephen Becker. The memorable sound is propelled further by noted Scottish producer Calum Malcolm, who has worked previously with some of the project’s biggest inspirations in The Blue Nile and Prefab Sprout. The latter is a particularly striking aesthetical reference point here, especially since Becker’s vocals project a smooth, soulful charisma reminiscent of Paddy McAloon — seamlessly accompanied by an array of twinkling synths, warming guitar strums, and harmoniously reflective backing vocals.

Second Mansions represents a stirring return for Le Concorde, whose previous release came 15 years ago with House. Also working with Becker on the album is Roger Manning, Jr., whose knack for earworms spans from his work in legendary power-pop group Jellyfish to a stellar solo output. Manning felt right at home within the creative process, admiring Becker’s ear in addition to the sophisti-pop stylistic pursuit. “Along with jazz, this sophistipop is the music that inspired me in high school,” Manning says. “It was loaded with synthesizers and the keyboard technology of the late Seventies and the early Eighties—bands like Tears for Fears, Peter Gabriel, Scritti Politti—very keyboard-driven, because people were having fun with the technology at the time.”

The highlights are abundant throughout. Opening track “Corpus Christi” melds shimmering guitars and illuminated synths between a dynamic vocal prowess, alternating between debonair intrigue and ascending emotion. “The Sound Alone” achieves a lusher entrancement in its more patiently unfolding vocal beauty and infusing of comforting bass lines and glistening synths; Jordan-era Prefab Sprout comes to mind here. Another standout, “Saint James” brings us back into the brisker rock territory as jangling guitars and punchy vocals enamor. From starry-eyed synths to rousing rock-forward guitars, Second Mansions represents an eclectic, consistently melodic sophisti-pop return for Le Concorde.

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We discovered this release via MusoSoup.

The post Le Concorde – ‘Second Mansions’ appeared first on Obscure Sound: Indie Music Blog.

Exploring personal identity and society’s push to mold and suppress true individuality, “Prettier Things (Pretend I’m a Man)” is a standout track from Minus World. The Nova Scotia-based band seamlessly navigate between debonair, funk-touched introspection and catchy rock vigor. An infectious indie-rock, stylish synth-pop, and sophisti-pop allure meld enjoyably here.

The track’s “mirrors are never what they seem” vocal intrigue moves into an enjoyably chorus, with twangy guitars and “just pretend that I’m a man” allure into the expressive wordless vocals. The “whoa-oh” passion pairs with bouncy bass, melodic guitars, and an overall magnetic production for a replay-inducing immersion, succeeding in both its colorful production and relatable societal perceptions. The lyricism consumes in capturing a tension between self-perception and external expectation, showing how societal pressure can mask true identity.

“Prettier Things (Pretend I’m a Man)” comes via the band’s upcoming album, Last Dance, out on October 10th. They elaborate further on its uniqueness, production-wise, and how that was influenced by the track’s thematic emphasis: “On the production side, this is the only song from our forthcoming album that has no backing vocals or doubling at all. This was a deliberate choice to reflect the solitude that is often felt by those with similar experiences.”

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This and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

The post Minus World – “Prettier Things (Pretend I’m a Man)” appeared first on Obscure Sound: Indie Music Blog.

A magnetic sophisti-pop sound allures on “X-ray Of The Real Thing,” a track from Norwegian drummer and songwriter Elias Pellicer. Fondly reminiscent of a cross between Danny Wilson and The Divine Comedy, the track’s aesthetic emits an artful momentum — culminating in a ravishing string quartet, following an initial ascent of piano, bells, saxophone, and more.

Melodic vocals and introspective lyrical prowess complement the enthralling musical direction. Pellicer, who also has a degree in jazz performance, draws additionally from influences such as Squid, Wet Leg, and XTC. “X-ray Of The Real Thing” represents the second single from Pellicer’s upcoming debut EP, which we’re certainly anticipating.

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This and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

The post Elias Pellicer – “X-ray Of The Real Thing” appeared first on Obscure Sound: Indie Music Blog.

Philadelphia-based singer-songwriter James Austin Melton captivates with an alluring sophisti-pop sound on new single “Pillow’s Door.” The track comes via Melton’s new two-track EP, Adaptive Fiction, which enjoyably showcases his folk, jazz, and pop intertwining. Melton describes the release as about exploring “the lives we lead in dreams—our adventures, transformations, and the selves we become—only to struggle to remember them upon waking.” The more folk-led, vocal-fronted appeal of “Pillow’s Door” moves cohesively into the EP’s title track, a nearly 15-minute epic that spans from gripping jazz to lush folk.

Melton says regarding “Pillow’s Door”: “It’s a song about feeling something greater beyond the pillow’s door yet never quite piecing it together in reality. The composition remains fluid and natural despite shifting keys and time signatures, never feeling forced or overly complex.”

“Pillow’s Door” commences with acoustic-laden intrigue, as vocals reflect on previous dreams and how their excitements and intricacies fade as one awakes. “I’m at the pillow’s door,” his vocals exude as brass, acoustics, and pit-pattering percussion meld seamlessly. A desire to go back “to the place past the sunrise,” beckons for that dream-like state, resonating in its themes of escapism as one awakens to a more tumult-filled world. “Pillow’s Door” and the stirring “Adaptive Fiction” comprise a fantastic EP from James Austin Melton, full of jazz, folk, and pop sophistication.

Stream “Pillow’s Door” and the EP’s title track, below:

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This and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

We discovered this release via MusoSoup, as part of the artist’s promotional campaign.

The post James Austin Melton – “Pillow’s Door” appeared first on Obscure Sound: Indie Music Blog.

A melodic melding of psych-rock, sophisti-pop, and bossa-nova rhythms captivates across “What’s It For?” — a track from Honestus. A repeating vocal pleading — “I want you to tell me what it’s for…” — moves seamlessly alongside the expanding instrumentation. The “wake up in the nighttime,” refrain is especially magnetic, as the mid-point swells from a quaint bossa-nova lushness into more bursting rock charisma. “What’s It For?” is a thoroughly consuming success from Honestus, originally from Warner Robins, GA, before moving to Marietta, GA in 2019.

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This and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

The post Honestus – “What’s It For?” appeared first on Obscure Sound: Indie Music Blog.

A memorable new track from Los Angeles-based solo project Miracle on Film, “The Invitation” casts a lush sophisti-pop spell in its calming guitar tones and serene vocal harmonizing. The project caught our attention last year with the stellar EP, Twisting the Knife, and “The Invitation” continues the knack for quality songwriting from multi-instrumentalist and producer Alex Pace.

Twangy guitars and illuminated synths intertwine beautifully in the approach to the two-minute turn, cementing the track’s strong atmospheric hold. “Gaze into the silence, of the open azure sky,” the vocals let out, mesmerizing with a hypnotic glow and soft string-laden reflections. “The Invitation” is a melodic treat from Miracle on Film.

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This and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

The post Miracle on Film – “The Invitation” appeared first on Obscure Sound: Indie Music Blog.

A lush soft-rock entrancement stirs on “Mezzanine,” a new single from Bronze, a trio with roots in Chicago and Los Angeles. Releasing alongside their self-titled sophomore album, “Bronze” is a melodic treat — leading with serene instrumentation and vocal harmonies, invoking the sophisti-pop appeal of Prefab Sprout in the vocal work especially. “Reflections of a past, could this be meant to last?” the stirring vocals lead into the title-touting remark, concluding with a “we were meant to be,” affirmation within trickling guitar chills. “Mezzanine” is a powerful success from Bronze.

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This and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

The post Bronze – “Mezzanine” appeared first on Obscure Sound: Indie Music Blog.

A gripping track with melodic sophisti-pop entrancement, “Windshield” comes via Pawl‘s forthcoming album MYSTIC, out on August 29th. Jazzy percussion, warming organs, and embracing vocal layers converge for an immersive sound, dazzling in both its serene vocal momentum and trickling guitar flourishes — as lyrics reference higher roads, history repeating, and a sense of traversing through the human experience with growing experience.

The “amnesia strikes,” section consumes with the multiple vocal layers, organ-laden momentum, and prancing guitars; the aesthetic is strikingly reminiscent of Prefab Sprout, and lovably so. “Windshield” is a lovely track, written entirely by the artist on a Nord Studio 88 Keyboard in one night. “It came about less as a keyboard composition and more as a daydreaming exercise,” Pawl says. “I was thinking about a period of my life and I was thinking of writing a story about it.”

Pawl elaborates further:

“But instead, I was imagining images in my mind that seemed to pertain to my life and that is where the lyrics and melodies came from. I was going through a lot of turmoil at the time as I was moving and changing in my life in large ways. After I wrote the song, I brought the song to my friend James Pope–an amazing drummer in Phoenix–and he came up with the jazzy feel I was looking for with percussion.”

“We recorded those parts at his house. We called our mutual friend Marlon Burno, who is a fantastic bassist/ guitarist and he laid down those instruments. DAN E.T. is an old friend of mine and he took the track into his studio in Tempe, AZ and added the organs and recorded a wonderful singer Hayley Green on backing vocals. DAN E.T. ultimately mixed the track in Arizona. It is our second track together, the first being more of a collaboration: Alright.”

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This and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

The post Pawl – “Windshield” appeared first on Obscure Sound: Indie Music Blog.

San Francisco-based band Sally Mango infuse rock and jazz sentiments for a warming, melodic sound on new single “Folded Faces.” Quaint guitars and steady vocals ascend into a spine-tingling soaring, concluding with a brass-forward warmness alongside calming backing keys. “Come out of the fold,” the vocals entice subsequently. The track impresses in its diverse tonal range, from subdued initial introspection to the riveting vocal theatrics in the central hook. We’re excited to hear what’s next from Sally Mango.

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This and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

The post Sally Mango – “Folded Faces” appeared first on Obscure Sound: Indie Music Blog.