The second single from Toronto-based band The Breakables, “Local Radio Sunday Proud” melds harmonious rock and intriguing chamber-pop elements with cathartic impact. “Told his mother he can’t get stuck,” the vocals ring out during an escalating hook, fondly representative of the track’s thematic aim — which, per the band, “captures the melancholy and bliss of leaving home as a young adult, soundtracked by varied instrumentation that spans genres.”

The title-touting, “windows down,” sense of relief in the central chorus is especially stirring — exuding a power-pop warmness that entices replays. The frolicking instrumentation and melodic vocal savvy follows seamlessly into a lushly inviting send-off. “Local Radio Sunday Proud” is a memorable showing from The Breakables, for certain.

Stream the band’s debut self-titled album, below:

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This and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

The post The Breakables – “Local Radio Sunday Proud” appeared first on Obscure Sound: Indie Music Blog.

“Languish” is a twangy slice of delightful power-pop from Plans to Sand, described by the Philadelphia-based band as “an unconventional love song to those who keep us thriving.” Layers of melodic vocal harmonies conjure a timeless-feeling pop appeal — “I’ll find you there, with time to spare,” — as swipes of guitars meld alongside seamlessly.

The sporadic, jumpy guitar tones provide an infectious drive as the vocals fade momentarily, as the “you won’t let me languish,” introspection carries further. “Languish” is a hooky success from Plans to Sand, a project led by Jessica Pappas and Adrienne Swiatocha that shows no shortage of melodic charm. Check out the track’s music video, below:

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This and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

The post Plans to Sand – “Languish” appeared first on Obscure Sound: Indie Music Blog.

A track called “Sunny Sunshine Song” would suggest a type of audible radiance — and that’s precisely what this power-pop gem from Pearly Gates achieves in its jangling guitars, harmonious vocals, and easy-going daze. The release is part of a 3-song mini EP from the band, who are based in Charlottetown, Prince Edward Island, Canada. Mark Palmer’s songwriting achieves a hook-friendly jangling that reminds fondly of Teenage Fanclub and Jellyfish, certainly also taking inspiration from one of the band’s chief inspirations in The Kinks.

The title-announcing vocal declaration melds enjoyably into trickling guitars, assuming a more elongated composure in the “finish line,” segment; a psychedelic-friendly haze mingles with the brisker guitar twangs and underlying organs for an alluring overall charm. “Sunny Sunshine Song” is a replay-pushing power-pop standout from Pearly Gates.

The band describe the track as “about being tired of hearing everyone complaining about everything all the time. And being nostalgic for a time when we were excited about what the future might bring.”

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This and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

We discovered this release via MusoSoup, as part of the artist’s promotional campaign.

The post Pearly Gates – “Sunny Sunshine Song” appeared first on Obscure Sound: Indie Music Blog.

A replay-inducing sound envelops on “Good Times,” a baroque-touched power-pop gem from The Marley Woods. The St. Louis-based band craft a sound fit for sunshine on this fantastic debut single, lyrically exuding a sense of self-discovery and being “tired of wasting my days,” as radiant guitars and twinkling keys traverse into the “good times are slipping away,” multi-vocal harmoniousness.

The lovely production resembles something that would star within the Elephant 6 collective. The “if only we could go back,” pining melds well with the nostalgic, shimmering qualities — capturing a sense of effervescent escapism within the melodic psychedelic, power-pop glow.

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This and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

The post The Marley Woods – “Good Times” appeared first on Obscure Sound: Indie Music Blog.

A jangling power-pop appeal shows on “Betty and Steve,” a strong new single from Ubiquity Machine. Mixed by Grammy-nominated engineer Martin Cooke, the track comes via the band’s forthcoming album. The Rabbit’s debonair initial vocals depict a contrasting vibe, from a factory’s stink and over-working into a drive for a vacation “for a weekend to recover and recharge.” A relatable, working-class enamoring takes hold throughout the verses, ascending into responsive vocal layers and hooky guitar jangling into the central chorus.

The duo of The Rabbit and Howard Rabach describe the track as reflective of “the complexities of human relationships and the profound impact they have on our lives.” Playful wordless vocal touches and brass-y enthusiasm exudes a peppy flair at mid-point, seamlessly building into a triumphant array of twangy guitars and brass-driven exuberance. “Betty and Steve” is an enjoyable rock earworm from Ubiquity Machine.

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We discovered this release via MusoSoup, as part of the artist’s promotional campaign.

The post Ubiquity Machine – “Betty and Steve” appeared first on Obscure Sound: Indie Music Blog.