Interview with Les Techno

Below is our interview with Les Techno, featured recently with tracks like “Flowers For Dystopia” and “The Modern Twist.”

Les Techno is a wonderfully eclectic project, spanning from hip-hop and punk to psych-rock and electronic music. Is there a particular style you have the most fun creating within, or is it more case-by-case?

Well the common theme appears some kind of guitar part, whether it’s punk or dance or whatever. This latest thing “Modern twist” just evolved out of a jam session recorded on a cell phone. It comes off as a rap or hip hop, but to me its more punk, ‘specially considering the chorus.  The psych-rock seems to be a theme throughout. Its more about being exploratory/experimental.

Your recent track “The Modern Twist” consumes with lyrical introspection on hypocrisy within government and society. Have you always written with satire and social commentary at the forefront, or is it a more recent direction inspired by current events?

The very first song that got this project started is quite akin to “Modern Twist”. That is “Where were You?”   You could say that the underlying theme of this project is a bit cyber-punk in that there is a mash-up of politics, social trends and underlying technology run amok.  And I hate being preachy, I prefer to have fun by digging the dagger in deep with satire. (I mean that figuratively.)  

You’re a veteran in the NYC music scene. How has the NYC music scene changed, in your eyes, over the past few decades?

“Decades” is a long history. In the ‘80s, the punk scene died out and NY hip hop weakened.  Then the NYC hip hop scene faded in front of NWA and Sug’ Knight.   An electronica / clubby house bubbled along, But there was this side trend of artsy bands bubbled along.  So there have always been these parallel threads, some intersected, some not. The interplay was always a great aspect of the scene here.   Where it is now “after” COVID is a good question. The Les Techno  project was going to get a live thing going, and in the middle of our rehearsal schedule, but then  the gigs were cancelled, that was back in 2020. So I think people have moved a lot into an electronica/dance/background music thing and are trying to figure out what the live venue thing is now.  Or doing a lone-wolf with a guitar kind of thing.  The reality now is that there is a lot of  pay-to-play, but that has been a new york music scene problem since the 1980’s.

What was the first album you heard that had a strong impact, either artistically or personally?

Doors/Strange Days.  The whole thing is awesome and I don’t fling that word around  lightly.  I think it was the first record I bought.  When I listen to it now, I realize again how brilliant it was. Oddly the one that is catchiest to my ear is “Unhappy Girl.”  Great interlocking parts. It was amazing that  three musicians and James could pull off.

Do you have a specific process or ritual when creating new music?

The rumors are not true, I don’t conduct a human orgy sacrifice before I start the recording session.  I wish it were that easy.  So no on rituals. Process wise a lot of stuff happens with recording into my cell phone when I am just goofing around on a guitar. I keep it all and review it.   Take bits and pieces and assemble something. Sometimes I finish something  and decide it sucks— except for that little idea over there— and that evolves into the complete  piece. 

Any favorite artists or albums you’re listening to at the moment?

“Favorite”? I’ve been listening to few different kinds of things lately:

Hey What/Low

Arca/ KicK iii

War on Drugs/I don’t live here anymore.

Flux/ oppies

Manchester Orchestra

Deap Valley/marriage

Diamond field/Diamond Field

I think the ambient stuff is more interesting these days than the recycled pop idiom- oops, I said it.  So Mr. Techno,  isn’t Les Techno in the “pop idiom ?”  Funny thing about that eh  ?

If you could collaborate with any artist, alive or dead, who would it be?

Who comes to mind today is the recently passed Robbie Shakespeare.   Sly and Robbie, man, talk about collaboration ! . I have seen them live a few times, and listened to them on countless records. I am so sorry Robbie  is gone.  I would love to have made a reggae-ish groove track for the Les Techno project with Robbie—but it was not to be.”.

What do you find is the most satisfying part of being an artist?

Coming up with something clever  in the recording studio, producing it and really see that people respond to it.

What is the biggest challenge you find in today’s music industry?

For me it’s the notion that my musical work is judged or filtered based on how good I am at  catching people’s yey on Instagram or Twitter.  Its sort of idiotic.  Its one thing when David Bowie composed a brilliant portrait. But now you have to do these as personal video clips,– hours of fresh content.   Like some “Hi, here’s Les Techno brushing my teeth before I go to bed. LOL ! xxxooo… Did I tell you that I prefer Crest ™?”  So I can make a few bucks as a shill because streaming doesn’t pay.

 Shoot me.

What’s upcoming for the project?

I am experimenting with some tracks that are a little more jazzy, some “sophisticated”—ooooh… chord changes…ha. Working on some more electronicy stuff mixed in.  Trying to make some interesting rhythms out of some analog noise. The usual fooling around hoping I trip over a diamond in the rough.

Mike Mineo

I'm the founder/editor of Obscure Sound, which was formed in 2006. Previously, I wrote for PopMatters and Stylus Magazine.

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