Out of the Shadows is the stirring debut album from Shannon Smith, who presents a soulful journey of resilience, love, and transformation — particularly as one emerges from life’s darkest moments into a radiant present and future. A dynamic aesthetical prowess is on display — from the ’70s pop harmonies within “Till I’m Home” and the punchy brass-laden rock of “Feel Good” to passionate folk/Americana balladry, as shown on gems like “Valentine’s Day” and “Lights on a Hill.”
Opening track “Dance The Night Away (Do Do Do Do)” quickly unveils an effervescent vibrancy, both in the instrumentation — featuring playful piano progressions and brass-y exultations — and lyrical depictions of waking “in the morning, sun is shining.” A memorable title-touting hook enamors, arising seamlessly from the soulful pop verses. Ensuing track “Till I’m Home” is a fantastic production as well, building from comforting Americana twangs into a magnetic sequence past the two-minute turn — “been such a long time,” — that envelops in its Beatlesque psychedelic pop outpouring.
The album consistently delights in its melodic instrumentation and heartfelt vocal work. Its lyrical output is also captivating, particularly on a track like “I’m Gonna Change,” which feels like a thematic centerpiece within a release that emphasizes stepping “out of the shadows” and into a brighter optimism. “It’s a fantasy believing, there’s no bumps along the road,” Smith sings, acknowledging hardships within every journey of life — though also stressing the power of autonomy in the title-touting resonance; gorgeous string arrangements rain down alongside, strongly tugging at the heart.
“Started Off With Lies” brings listeners back to the bustling rock realm, continuing personal introspection — admitting to “personal demons,” — amidst a sweltering organ-touched rock infectiousness. Stylistically, it bears a fond likeness to Squeeze’s brand of soulful rock charisma. Coming next, “Feel Good” is a funky rock charmer, lovably touting spurts of brass and tender guitar lines. These ardent rockers shine, just as does “Lights on a Hill” — a beautiful ballad that vows that one’s love will “grow stronger,” even as the shadows within life continue to dauntingly appear. Aspirations for personal renewal glide into further sweeping string arrangements. Out of the Shadows boasts an abundance of quality songwriting from Shannon Smith, thoroughly succeeding on this debut album with a sincere, affecting sound.
Out of the Shadows will follow a unique release strategy, with streaming availability delayed until later this year. In the meantime, listeners can access the album exclusively through CD or vinyl purchases, with extended versions of select tracks offered solely to physical and direct digital buyers.
