hanl – ‘Secretly Waiting to Become a Butterfly’

South Korean artist hanl unveils a deeply personal vision on Secretly Waiting to Become a Butterfly, an album that treats music as testimony rather than commodity. “Making music is my daily practice of true self expression,” hanl explains, a guiding ethos that runs through the record’s blend of spoken-word candor, cinematic instrumentals, and soulful pop flourishes.

The opening “Editor’s Notes” is a spoken-word piece, exploring artistry and personal honesty — declaring “my art is my testimony and prayer” and full expression of self, whilst treasuring art as a means of expression rather than for monetary benefit. “Piano Intro” ensues in gorgeous form, navigating from illuminated piano tones into a second half with glistening effervescence; strings intermingle here with a theatrical quality, into piano work that reminds fondly of Joe Hisaishi’s works. The subsequent “La Douleur Exquise” continues to showcase a dynamic range, here succeeding with a soulful pop immersion as moody acoustic guitars, glimpses of strings, and thumping rhythmic playfulness converge.

Another standout track, “Song from the Plane to Paris” commences a blissfully atmospheric one-two punch to close out the album. Gentle acoustic strums and rustling effects exude a meditative lo-fi charm. “Nothing is bigger than God and my faith,” serene vocals let out, contemplating on loyalty and expectations as a dreamily inviting vocal refrain emerges. Wordless vocal harmonies and gentle strums venture into a fully sating send-off, and then into the similarly lush closer “Mono No Aware.” Secretly Waiting to Become a Butterfly is a thorough success of an album from hanl.

“Song from the Plane to Paris” and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

We discovered this release via MusoSoup.

Mike Mineo

I'm the founder/editor of Obscure Sound, which was formed in 2006. Previously, I wrote for PopMatters and Stylus Magazine.

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