A riveting album out today from Filipino-American artist Labit, SOL stirs with an eclectic pop appeal — spanning from lushly inviting soundscapes to fast-moving infectiousness. Also known for his popular hit “Someday Faraway,” which went viral in Southeast Asia, Labit continues a strong emergence with this standout album, which was named as a tribute to his grandmother Solita (“Grandma Sol”).
Opener “STAY AWHILE” is exemplary of Labit’s knack for compelling songcraft — especially engaging in its dynamic tonal maneuvers. Flickering acoustics glide seamlessly amidst an introspective vocal presence to start, then expanding into a title-touting hook with powerful vocal ardency and majestic string infusions. Ensuing track “BREAK” channels a brisker alt-pop energy, lyrically ruminating on distinctions between groundhog day-like routines and rapid changes; its starry-eyed acoustic bridge gears up wonderfully into a passionate hookiness. “PARALLEL” envelops as well, exuding a shimmering pop sound, and a fun music video as well.
While the album enamors in its melodic immediacy, it’s also a heartfelt, personal portrait of an artist that deeply values his family, community, and Filipino-American culture. “MANGOES & RICE” is an affecting display of this, in particular — both in its track form and via its music video. Its “back when we were just kids” serene vocals play with a comforting, retrospective allure, as gentle guitars maneuver into the title-touting soulfulness. The track was written as a conversation with his sister, and its reminiscing pairs with a delightful, harmonious soul-pop production for a beautiful display of cherishing childhood and family, whilst looking back to the blissful days of youth.
The dreamy folk-ready “CLEANING OUT THE FRIDGE” is another standout, its reassuring vocals letting out “I know you’re tired of fighting” as understated acoustics linger in the background. Featuring Emily Rowed, the track compels in its themes of personal rebuilding, with a more laid-back aesthetical arsenal that succeeds just as much as the bustling pop productions within. In that latter category, “ALL MY PLANTS ARE DYING” is especially gripping. “I’m freaking out,” the vocals admit — lamenting high demands and tumult in modern society, whilst even pondering if it’s all a simulation. Mid-point synth pulses add to the dynamic, colorful production.
SOL marks a confident and moving step forward for Labit, showcasing his gift for blending introspective songwriting with bright, textured pop production. Across its 18 tracks, the album feels both personal and inviting — rooted in family, memory, and self-discovery, yet carried by melodies that resonate beyond those themes. It’s a cohesive, thoughtfully crafted release that highlights Labit’s artistry and strongly melodic tendencies.
