Unsystematic808 – ‘Unsystematic’

Abbotsford, BC-based artist Unsystematic808 impresses on his debut full-length, Unsystematic — touting a bold fusion of electronic sounds, fit for both club-set danceability and late-night introspection. Known for his dual life as both producer and entrepreneur, Amos Anthony Singh — the artist behind the project — brings the same intensity that fuels his ventures into every beat, crafting dancefloor-ready soundscapes defined by restless experimentation and vivid emotion.

Opening track “Daylight” enamors with its pulsing vibrancy — pairing thumping bass and punchy rhythms with a stutter-y vocal sample, which navigates with seamlessly melodic cohesion. A blaring synth tone assumes prominence past the first minute, bolstered gradually by sturdy rhythms; the introductory track does well in establishing the artist’s knack for riveting, danceable soundscapes with neon-lit allure. The ensuing “Ride” achieves a more shadow-y intrigue initially, where murky atmospherics and debonair vocal samples intertwine; the evolution into a glimmering, dance-friendly synth infusion marks an infectious second half, continuing to showcase Unsystematic808’s dynamic tonal chops.

Another standout track, “8-BIT Dream” traverses from a dreamy playfulness into panting percussive elements — giving way to a second half with interacting layers of bursting synths. A similarly effervescent soundscape shows on “Snowfall,” whose glistening prowess and bouncy percussive elements result in an amiable, inviting sound. The aptly titled “Riffs of The Evening” struts a darker invigoration, as distorted guitar tones meld with chiptune-like electronics for an immersive success of a production. With Unsystematic, Unsystematic808 solidifies his vision as both innovator and architect of riveting electronic soundscapes — succeeding in both atmosphere and infectious danceability.

“Ride” and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

Mike Mineo

I'm the founder/editor of Obscure Sound, which was formed in 2006. Previously, I wrote for PopMatters and Stylus Magazine.

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