Ari Selva & Vaynex – ‘Camera di Pressione’

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Italian rapper Ari Selva and Swiss producer Vaynex construct a dense, atmospheric hip-hop world on Camera di Pressione, releasing September 10th. Framed around the pressures that accumulate both internally and externally, the collaborative full-length uses introspection, dark humor, and vivid imagery to shape a cohesive journey, with Selva’s commanding flows and Vaynex’s cinematic production driving its immersive pull.

Opening the album, “Siamo In Diretta” quickly showcases the album’s knack for atmospheric savvy and precise hip-hop flows. Percussive pit-patters and a blaring resonance drive into Ari Selva’s memorable lead presence, operating with intensely confident appeal. A title-bearing hook emerges just past the one-minute turn, where his delivery maneuvers from the preceding hip-hop bite into a more refrain-led entrancement. Various sound effects within, including the chiming of a train crossing, add to the track’s compelling soundscape. Next up, “Niente Che Mi Tenga” struts a soulful nostalgia, with stylish brass sounds comprising a fantastic intro. The brass elements return during a delectable central hook, where layered harmonies emit a hypnotic spell before arriving back into the hip-hop delivery.

The moody “La Veglia” then ensues, with the hauntingly recurring “boom bap save me” sampled refrain signaling an entry into a bass-heavy foundation amidst Ari Selva’s precise lyrical work. Vaynex’s production is particularly magnetic here, seen in the seamless infusion of late-night bass crawls, ghostly piano, and infectiously interwoven melodic layers. “Lo Scarafaggio” continues the strong run, the production resembling Earl Sweatshirt in its nocturnal flow and glimmering electronic pulsations.

A particularly striking sound emerges on “Enclave,” which features Dj Crazyfish and M-Skills. A chilly organ assumes prominent force in the backing beat alongside ruminating rhythms, with the cut-up “out of control” midsection being especially contagious; the chopped sample mixing is wonderfully accomplished, bridging classic hip-hop and modern production savvy, and playing as one of the album’s finest moments. The subsequent “Piromani” is riveting in its rapid build-up, with Vaynex’s production excelling as initial minimalist simmering becomes accompanied by sturdy rhythms and twinkling keys for a hip-hop success stylized with dream-pop aesthetic touches.

“Sulla Punta Della Lingua” then unveils with a soulful sample plea to “feel real love,” followed up by Ari Selva’s powerful rhythmic stride. Flourishes of wordless backing harmonies combine with driving rhythms and buzzy bass for an absorbing overall sound. Album finale “La Siberica Scilla” comes next, where head-nodding percussion and a consistent delivery expand to a hooky midpoint, complemented by melodic piano and dual-layered vocal smoothness. Propelled by Vaynex’s immersive production and Ari Selva’s standout performances, Camera di Pressione is a thorough full-length success.

Mike Mineo

I'm the founder/editor of Obscure Sound, which was formed in 2006. Previously, I wrote for PopMatters and Stylus Magazine. Want to submit your music? Check out our Submissions Page. For full PR campaigns -- personalized outreach to hundreds of blogs and playlist curators -- see my Music PR Services.

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