God is Change by Emily Elbert “God is Change” is a rousing, soulful rock success from Emily Elbert, a California-based artist originally from Texas. Her songwriting captivates here with lyrical conveyances of
New Tracks
A hauntingly melodic appeal shows on Detroit-based project Belling The Tiger‘s recent track “Dream Bear,” which melds swooning vocals, soaring guitar lines, and brassy stylishness. Representing the lead track from the project’s
Tempest of the Ages by Jon Anything Consuming in its illuminating, melodic rock and theatrical pop vibrancy, “Fall” is a stirring track from Jon Anything, the project of multi-instrumentalist Jonathan Gill Thwaits.
“Sleepless Nights” is a memorable track from Ryan Sweezey, now based in Burlington, Vermont after making waves in the Boston music scene. A spirited vocal introspection aligns with a range of sturdy
“Late For Yesterday” is a riveting new single from Welsh singer-songwriter Owen Weston, who immerses with a structural swell from lush introspection into more ardent ruminations on passing time. The release serves
An anthemic rock hold stirs on “Get Up,” a new single from Chicago-based band Getting Started. A title-touting call for action compels within a momentum-filled production, swelling from rumbling bass intrigue into
“Radiance” is an alluring new track from Bernadett Nyari, whose classical virtuosity infuses within stylish synths and steady percussion for a brightly animated sound. The standout track comes via her newly released
Nashville-based singer-songwriter Sam Lewis showcases an affecting folk sound on new single “Juan Garcia,” capturing Lewis’ penchant for poignant social commentary within warming, approachable folk productions. The track was written by ESL
New Albums
Spanning bluesy indie folk warmth, rock charge, and intimate acoustic sincerity, Mike Stocksdale‘s Connectors is a seamless, story-driven journey threading societal anxiety,
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A lived-in and optimistic rock display, We Live In Hope is the self-produced fourth album from Bedford, UK-based artist Last Days of
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A blissfully layered darkgaze and shoegaze convergence appeals across Forever Could Never Be, a collaborative remix album from Portland, OR-based artist Kallai.
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Layering dreamy synths and captivating guitar work alongside themes of personal survival, historical memory, and defiance against adversity, Our Lady of the
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