“Rose’s Grave” is a memorable new rocker from Animal Mood. The momentum is quickly established; visions of a decaying rose are set against pulsing bass and developing guitars. “I still love you,”
New Tracks
A soaring rock sound excels on “In Your First Mate’s Arms,” a recent single from Diaphane fueled by excitable vocal rises and twangy guitar immersion. Aesthetically reminiscent of Christopher Owens, there’s a
An emotive rocker from Couch Cult, “MOOD RING” unfolds with a grungy inspiration. Introspective vocal dreaminess launches into a wave of distortion. The prancing electric guitars, re-emerging at the two-minute turn, adds
The impactful “Inside” is a tonally dynamic single from Boston-based band Walk Me Home, who describe the release as “a song of lust and yearning for relief.” Lush guitar murmurs complement a
A track from Dylann Taylor‘s debut album, “You Had Me Wrong” is exemplary of the Los Angeles-based artist’s strong songwriting. Ethereal vocals and melodic guitar work compel throughout, complementing themes that explore
A new single from Boston-based band Mad Painter, “Empty Bottles” presents a rousing, no-frills rock entrancement with nostalgic passion — drawing from a party-set, ’70s rock contagiousness, in the vein of Mott
“Sparkler Hair” is a climactic, expansive production from Canadian act Marginalia. The track unfolds with gradual, rewarding impact. Spacey synth frequencies, throbbing like a sonar pulse, are complemented by wordless vocal intrigue
“Hush Money” showcases the creative electronic and rock synergy of Binaries, a trio based in the North East of England. “Hush Money” is a very striking debut single, melding spacey synth-laden intrigue
New Albums
Bristol singer-songwriter Elly Hopkins makes a striking debut with Animal, a five-track EP that fuses rock charisma, Americana warmth, and soulful lyricism.
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Billy Peake‘s new album Manic Waves delivers a captivating mixture of hooky rock, nostalgic new wave, and sharp lyrical wit. Navigating personal
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Eric Angelo Bessel crafts an enveloping ambient sound across his second solo album, Mirror at Night. We have been anticipating the album
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Swedish band Killing Kind consume across their second album, Being Human — strutting a darkly impactful melding of post-punk and synth-driven entrancement.
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