Melodic piano and dynamic guitar additions enamor throughout “Sold,” a recent track from Manuok. The lyricism compels in its themes of emotional isolation — specifically described as “about anxiety, feeling trapped –
New Tracks
An alt-rock success from Caroline Strickland, “Prettiest Girl of Heaven” compels in its balance of introspection and vigor. Described as “about desire and self-realization,” the track comes via Strickland’s upcoming Martha’s Calling
A reflective rocker that escalates from lushness into an ardent outpouring, "All I Want Is You" is a recent single from Berlin-based act The Rapid Onset.
New Jersey-based trio SAWMOON unleash an impactful rock sound on “Madness,” which per the band delves into “the cyclical nature of violence and of history repeating itself.” The title-referencing chorus recounts a
Denver-based band mlady craft a warming, dreamy rock appeal on new single “Baby Water Blue.” Lush guitar tones and calming vocal introspection meld enjoyably to start, invoking feelings of a hecticness in
Swelling from dreamy pop introspection to a fuzzy array of invigorating rock textures, “goodbye” is a recent track from Denver-based band Blackberry Crush. Recently signing to local label Mean World Records, the
An exuberant folk success, “Front Door Blues” is a new single from California-based singer/songwriter and producer Sam Plecker. The track comes via his upcoming album So True, out on April 4th. “I’m
A climactic, jangling rock enamoring takes hold on “Might Be Tonight Son,” a newly released track from BOOHER. The Austin-based act is led by Michael Booher. “Might Be Tonight Son” excels with
New Albums
Showcasing a punchy rock spirit with compelling coming-of-age narration, Pupal Phase is the four-song debut EP from Lost Grrrl Found, a New
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Experimental electronic textures, industrial dissonance, and hazy pop sensibilities converge on Was It Real or Was It Just Me?, the debut album
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Berlin-based composer, violist, and songwriter r Dina Maccabee steps into the foreground on LMNO, an eight-song album following years of collaboration with
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Augsburg, Germany-based experimental composer Markus Mehr’s WATERSHED EP transforms recordings from the opening days of Russia’s invasion of Ukraine into a stark
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