New Tracks

Yam Bakshi – “Deep Breathing”

“Deep Breathing” is a stirring rock success from Yam Bakshi, a musician from Tel Aviv. The beginnings unfold patiently, from creaking guitar arpeggios and spacious vocals into a bustling vibrancy. A vocal

Airpark – “Prehistoric Feeling”

“Prehistoric Feeling” is a new track from Airpark, a Nashville-based duo formed in 2017 by brothers Ben Ford and Michael Ford, Jr.. The playful acoustical shimmers and laid-back vocals build an inviting

Welcome Strawberry – “No One Online”

Cyrus VandenBerghe is the brainchild of the indie/alternative music sensation Welcome Strawberry. The Oakland, California-based artist spent the year of 2021 assembling his solo project, channeling his sound, and surfing the infinite

Fovelle – “Mettre le feu” (ft. MLOW)

An infectious synth-led pop success from Québec City-based producer Fovelle, “Mettre le feu” is the artist’s third track. Featuring MLOW, “Mettre le feu” successfully aspires to a “psychedelic tropical sound,” propelled by

Cassandra Raffaele – ‘Camera Oslo’

Camera Oslo is a warmly melodic new album from Italian artist Cassandra Raffaele, showing a cinematic vein of pop that ranges from guitar-fronted immediacy to orchestral-laden haunts. The album’s atmospheric, cinematic pull

Lee Trent – “Pessimism”

Lee Trent‘s first single, “Optimism,” is followed up aptly in the recently released “Pessimism.” Acoustical strums and a late-night bass resonance complement initial lyrics exploring the concept of trust. “You might not

Billy Summer – “The Test”

Playful keys and laid-back guitar twangs adorn the amiable “The Test,” a new single from Billy Summer, an artist based in Saint Petersburg, Florida. Lyrics express a growing familiarity with woe —

The Qwarks – “Dog Ate My Homework”

“Dog Ate My Homework” is a peppy rock success from The Qwarks, an act from Brighton, UK. The immediacy of psych-friendly guitar bursts and vocals, in a state of wonderment, kick off

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New Albums

Áron Porteleki – ‘Smearing’

Hungarian artist Áron Porteleki presents a deeply memorable sound across Smearing, a debut solo studio production that serves as a “sonic manifestation,”

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