“Anthem for the Forgotten” is a moving new track from Paul Marotto, reflecting on struggles with loneliness and addiction: “Alone on methadone, and 41 fucking years have passed me by,” the initial
New Tracks
A moody alt-rocker with escalating satiation, “oblivion” is a recent single from Marble, a band based in Portland and Seattle. “I go to therapy but I’m as sane as anyone else,” the
NYC-based singer/songwriter Miles East delivers a lushly emotive appeal on new single “Lucky To Be Here Tonight.” Serene guitar strums and glistening complement an initially subdued vocal contemplation, proclaiming “we’re lucky to
Dutch trio The Arthurs provide a first peek at their upcoming third album with the single "The Gloaming." Spacey guitar strums swell into an alt-rock vigor, with bursting distortion enveloping quickly.
A powerful new single from French artist Elsa Monroe, "I Only Died Twice" moves with anthemic vocal power, string-laden illumination, and a sense of continuous momentum.
A darkly captivating single from Edinburgh-based band SALT, “Roly Moes” maneuvers through a bar-set narrative filled with toxicity, rage, and murder. “Though he still loved her, the devil wins,” the vocals let
A new single from Nashville-based artist M. Dunton, “I Left My Heart Out West” showcases a heartfelt folk sound. Understated acoustics and sporadic guitar twangs complement a tender vocal presence, sending chills
Denver-based rockers Shady Oaks unveil a charismatic, stirring sound on new single “Best Thing.” Alternating sections consume between vocal-fronted prominence and feverish instrumentation — strutting a range of lively strings, rousing bluesy
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
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Budapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
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Victoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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Mode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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