A memorable sound, steeped in dreamy rock jangles and synth-laden pop lushness, emanates throughout “On Vulnerability” — the latest track from Norwegian artist Louise Weseth. The second single from the artist and
New Tracks
A soulful production with heartfelt vocal layers, suave piano, and tender guitar-laden affections, “Sweet Tea” is another standout track from RIMENY. The alt-pop project of Zak Engel caught our ears with the
“Waiting Tables” is a personal, affecting success from Queen Bonobo, who describes the release as “about getting clear in the vision of how I want my life to be and letting all
A mellow, inviting introspection enamors on “Something’s For Nothing,” a track from Midnight Granger that charms in its balmy mixture of lush guitars and dreamy keys. The project of New York-based artist
“No Answers Given” is a consuming electronic pop production from Toronto-based artist OTHEOSE, developing from brooding bass-laden bustling into riveting synth work and vocal layers. The release follows up the excellent “Sundown,”
Fuzzy guitar pulses, playful vintage organs, and harmonious vocal layers enamor across “Ghostwriter,” a recent psych-revival single from Ghost Party. The project of guitarist and singer-songwriter McCullough Ferguson enamors with a hooky,
Another resonating track from The Goodbye Radio, “That’s the Point” enamors with its jangly rock radiance and relatable perspectives on disillusionment from the daily grind. Part of their upcoming album, In This
A nostalgic rocker from The Spumonies, “Take a Look Around” consumes with a hooky and relatable charm — fondly reminiscent of The Replacements in its amiable retrospection. The Brooklyn-based solo project of
New Albums
Detroit-based singer-songwriter Derby Hill crafts a warmly sincere debut EP steeped in folk, country, and roots tradition. Influenced by artists including Steve
MoreMinneapolis-based quartet Wastrels return after six years with a fantastic self-titled album, blending immersive shoegaze textures, head-nodding post-punk grooves, swirling guitars, and
MoreDetroit-based artist Ramo Z‘s two-track EP I hate parties captures nightlife with heart, blending introspective indie-dance and house-ready energy. “strobe lights” hypnotically
MoreNashville-based singer-songwriter Mary Jennings delivers an impassioned sound across Pyrotechnicolor, a six-track EP written over the span of a decade. Blurring pop,
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