Austin-based band Living Set unveil a ghostly, dreamy noise-pop appeal on new single “Last Wave” — maneuvering seamlessly from a lush array of synths and percussive pit-pattering into a textural, noisy invigoration.
New Tracks
Austin-based act Go-Machine emit a charismatic sound melding funk and prog-rock allure on new track “Black Sunday.” Breezy guitar tones quickly ascend into a rhythmically inclined passion, shifting seamlessly into a funky
Reckless love and the allure of escape stir on “Betty & Jesse,” a resonating new track from Nashville-based artist Rosemary Schultz. The track compels in its compelling character building, portraying the titular
Scotland-based collective Rootless brings together Romani and Indian musicians to honor a shared ancestry, weaving flamenco-inspired guitar and fervent saxophone with the rhythmic heartbeat of tabla and dhol. “This isn’t just fusion,
“Take A Chance” is a compelling new track from Ball in the House, a Boston-based a cappella group whose blend of soul, pop, and R&B makes for a standout sound. Their dynamic
Nashville-based singer-songwriter KC Johns crafts a heartfelt homage to her musical upbringing and support system on “Best Seat in the House.” Drawing on memories of her grandfather introducing her to the guitar
Nashville-based singer-songwriter Jeremy Parsons resonates with his new single “Who Was I?” — succeeding in its country/Americana fusing and thematic observations of youth, ambition, and self-discovery. The track’s heartfelt lyricism exudes a
“Broken promises” is a riveting new track from Ukrainian artist ENAVE, the project of singer-songwriter Mariia Shyshak. Written in February 2022, during the commencement of Russia’s invasion of Ukraine, the song channels
New Albums
London-based guitarist Titus Maz digs into late-night introspection on his excellent album Midnight Station. Blending modern jazz, groove fusion, and cinematic textures,
MorePrague-based label Kitty Kant Collective unveils Compilation Volume Two, an 18-track solarpunk cassette and zine. Moving across garage-punk, folk, and ambient textures,
MoreNew Orleans-based band The Drupes deliver a stellar self-titled debut album. Fusing ’60s-revival pop, harmonious rock, post-punk, and Britpop charm, the guitar-driven
MoreSwansea-based multi-instrumentalist Tom Emlyn’s album Passing Craze showcases his prolific, wide-ranging songcraft. Blending 1960s folk-influenced melodies, spacey synths, and touches of piano,
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