Kim Edwards – ‘Vignettes’

Photo by Bruce Kite

Impactful in its orchestral-laden folk sound and gripping lyrical narratives, Vignettes is the new full-length album from Lehigh Valley, PA-based singer-songwriter Kim Edwards, who captures life’s myriad of experiences — from falling in love, to wading through its storms — through ten story-driven songs. The release unfolds like a series of emotional snapshots, each track its own self-contained story of love, loss, and empathy. Produced alongside longtime collaborator Jared Salte, Vignettes wonderfully blends lush strings, warm piano, and organic textures.

Opener “Ashes to Ashes” tugs at the heart with haunting strings and lyrical vulnerabilities, admitting “it’s not the way I thought it’d go.” Feelings of uncertainty arise into gorgeous, wordless vocals and gentle infusions of piano and acoustic guitar. The lingering strings persist, maintaining the melancholic edge. The ghostly “Ring Around the Rosie” reference ends the track with a solemn, retrospective quality, following moments of elegant, textural power. It’s an excellent example of Edwards’ riveting songwriting, which continues on the ensuing “The Seafarer’s Song,” where a moody piano-driven sound and “anchor down” and “my bones will find their rest” seafaring imagery make for a riveting, atmospheric allure.

Another standout track arises in “Raised by Wolves,” a compelling piano-forward ballad with particularly strong lyrical prowess. Here, lyrical perspectives of falling in love with someone fated to leave prove stirring. Its “some people can’t be civilized” conclusion is affecting, in the context of hoping for others’ betterment. “Even wolves get lonely,” Edwards sings, further emphasizing a state of empathy for a person in personal tumult, though ultimately accepting the end result. From string-touched beauties like “Please Let Me Go” to artful lyrical journeys like “Raised by Wolves,” Vignettes presents an array of fantastic songwriting from Kim Edwards.

Mike Mineo

I'm the founder/editor of Obscure Sound, which was formed in 2006. Previously, I wrote for PopMatters and Stylus Magazine.

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