A swirling array of art-rock, psych-infused guitars, and climactic energy defines Neon Seeping from the Pavement, the debut mixtape from NYC-based outfit All Violet.
A lush, hypnotic blend of nudisco, jazz-tinged pop, and soulful sophistication drives “Follow Me,” the new single from Tacoma, WA-based duo Plaid Lion. SaraEllen’s
A comforting, harmonious rock sound compels on 7, the new album from Orlando-based Jordan Seven, blending indie and classic rock with heartfelt introspection. Written
Austin-based band Living Set unveil a ghostly, dreamy noise-pop appeal on new single “Last Wave” — maneuvering seamlessly from a lush array of synths
Austin-based act Go-Machine emit a charismatic sound melding funk and prog-rock allure on new track “Black Sunday.” Breezy guitar tones quickly ascend into a
Reckless love and the allure of escape stir on “Betty & Jesse,” a resonating new track from Nashville-based artist Rosemary Schultz. The track compels
Scotland-based collective Rootless brings together Romani and Indian musicians to honor a shared ancestry, weaving flamenco-inspired guitar and fervent saxophone with the rhythmic heartbeat
“Take A Chance” is a compelling new track from Ball in the House, a Boston-based a cappella group whose blend of soul, pop, and
Nashville-based singer-songwriter KC Johns crafts a heartfelt homage to her musical upbringing and support system on “Best Seat in the House.” Drawing on memories
Nashville-based singer-songwriter Jeremy Parsons resonates with his new single “Who Was I?” — succeeding in its country/Americana fusing and thematic observations of youth, ambition,
