The Hole is a stellar new EP from Reykjavík-based experimental-pop artist and producer R.M. Hendrix. The release is a follow-up to his excellent album
Washington, DC-based band Color Palette enthrall across the recently released Zombie EP, showcasing a sound steeped in shimmering dream-pop, hooky post-punk, and shoegaze atmospherics.
Gripping across both hazy rock introspection and soaring swells of emotion, Faultlines is the consuming new album from Pisgah. The project of Brittney Jenkins
Swedish artist Shadow Antlers’ new album Outside Belongings is a moody, immersive success — strutting a compelling darkwave sound amidst themes of escape, feeling
Arkansas-based songwriter Jonivan Jones channels his bohemian folk-blues spirit on At Joe’s Sound Room, a Nashville-tracked live session EP where vivid storytelling, expressive vocals,
The sophomore single from big riverz, “Running” enamors with a twangy alt-pop and country fusing — delighting across both its folk-ready verses and more
Austin-based artist Edward Rendon delivers an emotive, affecting rock sound on his newly released Hopeless Romantic EP. Drawing upon Brit-pop and early ’00s rock
Rotterdam-based Rejection Ratio craft an enveloping rock sound on recent single “Love is Like Heaven,” traversing through jangly guitar fervor and dynamic vocal entrancement
“state of indigo” is another lushly melodic rock success from Yasu Cub, the Tokyo-based band who has caught our ears in the past couple
“Lost in it All” is an alluring new single from Ridge Runners, moving briskly from shimmering acoustics into soaring guitar twangs as debonair vocals
