Eric Frisch caught my ear two years ago with the warmly infectious track “Pretty Girls“, which reminded of homages to ’50s/’60s pop in the
Galapaghost impressed a few months back with his new album I Never Arrived, showcasing his psychedelic folk music roots. The project, based in Austin,
Los Angeles-based Americana/Roots group Wicklow Atwater produces a timeless sound that rides on fast-moving acoustics, engaging and humorous lyrics, swift harmonicas, and a personable
Prickly synths and ardent vocals kick off “Row”, with the bridge at 00:40 suggesting the imminence of a grandiose chorus that arrives successfully. Salóme,
Charity Ekeke’s love for music was strong even at an early age. While growing up in Nigeria, she used her gift money each week
This dazzling new track from NYC-based Von Sell packs a big-time, infectious sound led by passionate vocals, whirring synth arps, and a colorful feel
Coming out of Milan, Obree is an act specializing in synth-infused shoegaze, with a melancholic touch reminding of influences like Washed Out and Beach
Emile van Dango creates atmospherically riveting music under the name Yellow House. The project, based out of Cape Town, South Africa, vocally recalls the
Pale Mara are a Brooklyn-based duo, whose excellent new track “Where I Get My Way” comes via their upcoming EP Votive, a 5-song compilation
Henry Hall’s music is generally engaging regardless of the moment, though it’s hitting especially well after a week like this. In the midst of
