In The End is an emotionally raw EP from Australian outsider artist Hurb Jephasun, drawing on decades spent in Sydney’s underground music scene and
More People Than Teeth is the debut album from South London folk-punk band The Early Swerve, pairing infectious melodies, acoustic instrumentation, violin, and rich
London-based artist HAAi mixes club-set energy and stylish pop ingenuity on DIGITiSE, a new album influenced by the physical energy of DJ sets and
Newly released EP Move The Mountains showcases Australian singer-songwriter Jack Biilmann’s lived-in blend of blues, rock, and country, showcasing the struggles, relationships, and hard-won
Nashville-based singer-songwriter Jay Putty explores the many forms of love on The People I Loved And Have Loved Me Back, a six-song EP spanning
Chicago-based singer-songwriter Sacha Mullin embraces a stylish pop-forward direction on Social Touch, his fourth album, balancing art-rock sophistication with sleek synth-pop hooks and expressive
Blue Drops is the excellent debut full-length from Toronto-based band Azure Rose, showcasing a hazy blend of dream pop, shoegaze, and jangly indie rock.
Kwasi masterfully fuses alternative hip-hop, punk, indie, and emo-rock on Outstanding MISFIT, a fourteen-track debut album tracing the volatile relationship between the artist and
Technicolour delights in a variety of heartfelt, hooky pop creations from Sydney-based singer-songwriter Holly Wild, embracing the full spectrum of love, vulnerability, and self-acceptance
Matty Frank stirs across Dooda: Bee Sides, a varied companion to his debut album that moves between folktronica, alternative rock, acoustic introspection, and vintage
