Leeds-based project The Swell melds dreamy indie rock with shoegaze and psychedelic textures, pairing layered guitars and ethereal delivery with a spacious, cinematic sensibility.
Chicago-based producer Randy Nieto launches his solo project Inverted Mirror with “Automatic Earth,” a rhythmically engaging electronic piece that pairs warped synth textures with
Finnish artist Conchis showcases a brooding electronic alt-pop on “It Will Only Hurt Once,” the third single from her upcoming second album Gravity. Composed
Ireland-based project Gravité Fresq brings theatrical dance-punk energy to “Nail The Noise,” pairing dynamic delivery and punchy synth-bass with pointed reflections on algorithmic overload,
“Miles On It” captures the collaborative chemistry of Toronto-based singer-songwriter Tara Van and Mark Calderone, pairing lush guitar and atmospheric production with a reflective
A collaboration between Poems For Dead People and Intertitle, “There Are Spiders In My Dreams” melds post-punk, darkwave, and experimental electronics with foreboding spoken-word
Stellar single “Electrify” unveils a stylish art-pop sound from Ooberfuse, thematically exploring anxiety, conformity, and the pressure to suppress dissent, while pairing bouncy synths
Pacific Northwest-based act Waves Crashing unveil another stellar new single in “Stars,” out October 16th. Ahead of the release, we are thrilled to premiere
Cheltenham, England-based artist Charlie Sly brings hazy dream-pop textures and impactful delivery to “Never Had,” a reflective song about the painful aftermath of giving
Chicago-area artist Brian Kovacs conjures a late-night, groove-oriented atmosphere to “Holding Space,” where soulful keys, funky bass, and jangly guitars accompany reflections on emotional
