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Electro-Funk
 

pantology – “Lost Summer”

The latest track from producer/keyboardist pantology, “Lost Summer” fuses jazz, soul, and downtempo electronica with seamless precision. Funk bass and nocturnal electronic production impress within the consuming ars...
 
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Electro-Pop
 

Toy Cities – “Digital Waves”

From Toy Cities’ forthcoming EP of the same name, “Digital Waves” is a rousing electro-pop success that highlights the Brooklyn-based act’s melodic strengths. Infusing a fondness for post-punk with ̵...
 
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Pop
 

DOUBLECAMP – “Dreamers”

The vibrant “Dreamers” shows Nashville duo DOUBLECAMP’s impressive grasp of pop hooks and bright production. Aesthetically somewhere between Cut Copy and Hot Chip, “Dreamers” rides on conciely melo...
 
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Rock
 

Alexander Sun – “Pines And Evergreens”

“Pines And Evergreens” is a delightful, shimmering rocker from Bristol-based act Alexander Sun. Formed in the winter of 2017, the band’s debut single “You Are Made of Magic” was released this May. ...
 
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Dream-Pop + Shoegaze
 

4Vesta – “Evening Star”

Light & Chemicals by 4Vesta Brooklyn shoegaze band 4Vesta impress with new track “Evening Star,” the first track off their debut EP, Light & Chemicals. Like many shoegaze acts, they are heavily influenced b...
 
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Dream-Pop + Shoegaze
 

Fern Murphy – “Flowerbeds”

Gringo Love by Fern Murphy Indianapolis trio Fern Murphy impress with a consuming dream-pop sound, reminiscent of Wild Nothing. Their latest track “Flowerbeds” rides on jangly guitars and a patiently developing song...
 
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Lo-Fi Pop/Rock
 

Harrison Lipton – “No Good at Goodbyes”

“No Good at Goodbyes” is the latest from Brooklyn-based artist Harrison Lipton. The track establishes an engaging feel via dreamy guitar tones, a bouncy bass line, and synth-laden adornments, with the suave vocals e...
 
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Dream-Pop + Shoegaze
 

Saeyers – “Someday”

“Someday” is a stirring new track from Saeyers, showcasing a dreamy and jangly sound. Fronted by multi-instrumentalist and songwriter Marshall Lewis, Saeyers drew praise for the track “Cruise” in January...
 
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Alternative
 

Pearl & the Prayers – “Flesh & Bone”

“Flesh & Bone” is the first single from Pearl & the Prayers’ upcoming debut album. It’s a haunting, riveting effort from the Los Angeles act — one with moody, murky appeal. Lead singer Pear...
 
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Synths + Guitars
 

Indigo Waves – “Thanks”

Indigo Waves are an indie-rock act hailing from Provo, Utah. The recently released “Indigo Waves” is their first track in 14 months, “dedicated to all the people who have come and gone in our lives.” Cle...
 
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  • Brooklyn shoegaze band @4vestamusic impress with new track “Evening Star,” the first track off their debut EP, Light & Chemicals. Like many shoegaze acts, they are heavily influenced by My Bloody Valentine’s classic Loveless, particularly the heavier shoegaze sound. Unlike many, 4Vesta succeed immensely in churning out a convincing shoegaze-fronted sound. They convince with a densely lush array of layers, as vocals rise beautifully alongside guitar and rhythmic escalation at 02:13. The 4+ minutes of “Evening Star” induce an enjoyably hypnotic state, prepping the listener for an engaging EP {Link to listen in bio}
  • The latest track from producer/keyboardist pantology, “Lost Summer” fuses jazz, soul, and downtempo electronica with seamless precision. Funk bass and nocturnal electronic production impress within the consuming arsenal. The Brooklyn-based pantology grew up playing piano — raised by classical musicians — and eventually infused that experience with a love for jazz, soul, and funk. Debut single “Never Enough” drew praise for its smooth production and confident sound, and “Lost Summer” continues that trend for this promising project. {Link to listen in bio}
  • Fit for nighttime drives, “Strangers” is a newly released track from songwriter/producer Javier. Effectively conveying a late-night, soul-pop sound reminiscent of Frank Ocean, “Strangers” rides on entrancing vocals to start. The “strangers treat me better than you do,” hook works wonderfully with the mellow guitar smatterings and subtle vocal backing. A tender guitar solo around 01:30 adds nicely to the seductive feel. “Strangers” succeeds in mood and melodic captivation. “This song is about being alienated by the people you think are closest to you,” Javier says. “I got the idea for it when I started feeling like a lot of people that I valued in my life didn’t see the same worth in me. I wrote, produced and recorded this song in my attic.” {Link to listen in bio}
  • “Oblivion” is a gripping, atmospheric track from Amphior, the project of Danish electronic music producer Mathias Hammerstrøm (featured in the past with solo material and as Amphior). Hammerstrøm’s knack for mysterious, Twin Peaks-esque melodies is a continuation throughout his releases, and continues on “Oblivion” with its murky synths and dark crackling. “Oblivion” opens up Amphior’s forth EP We Used to Dance. 40 minutes long, the EP releases on September 2nd on Mathias’ own label ‘Hammerstrøm Records’. Sangam will also have a remix of “Oblivion” upcoming. “I wanted to write a record that was more inspired by ambient music and meditation exploring memories and flashbacks – trying to hold onto them, before they disappear completely,” the artist says. The release also leans “comfortably into aspirations of ambient music, hints of meditation and the internet phenomenal ‘ASMR’.” “I’ve known about ASMR for a couple of years and sometimes listen to videos on YouTube when I want to feel the “tingling” sensation and I even use it for sleep – I think ASMR is offering a very special aspect of sonic calmness and I wanted to explore its function when it’s mixed with music already aiming to achieve a calm atmosphere.”

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