Vermont-based singer/songwriter Eric George strives to keep the American folk tradition alive with a sound that takes inspiration from everything from early country and delta blues to contemporary folk. A prolific artist,
New Tracks
Throw it All Away/Slow by June Parker June Parker churn out atmospheric, shoegaze-leaning tunes from Richmond, Virginia. They released two songs this past week, “Throw it All Away” and “Slow”. The former
Stereo Soul Future’s “Remember Alaska” is a beautiful track with fluttering acoustics, serene vocals, and a Brian Wilson-esque knack for vocal pop harmonizing. The lyrics match that beauty, the track being dedicated
La Poré, the project of Nick Samson, debuted this past June with the nocturnal, dance-friendly track “Close“, touting ’80s-inspired R&B-tinged pop goodness with heaps of atmosphere. The project from Columbus, Ohio finds
Phil Lomac’s third official release, Northern Cities Southern Stars, was recorded in Chicago throughout the course of last year. Lomac mostly did it all, serving as multi-instrumentalist, engineer, and producer. He tracked
Florida rockers Lochness Monster recall fun, punk-tinged alternative of the ’90s, with names like Weezer and Sunny Day Real Estate coming to mind. Their track “Pixie Cut” shows this well, with suave
Seanloui is an artist from Tucson, Arizona specializing in “Euro R&B pop.” He crafts a gripping, dark soundscape on new track “Tell Me”, guided by ghostly synth trickles and a soulful vocal
“Gold Face” is the contagious and atmospheric new single from REIGHNBEAU (Bryce Hample), featuring Shey Mertz (Bk Beats) and vocalist Colleen Johnson. It pursues a bouncier, more effervescent feel than the atmospheric
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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