New Tracks

A Demon In Fun City – “Badlands Neurology”

An eerily enveloping soundscape proves striking throughout “Badlands Neurology,” the new track from A Demon in Fun City. The collaborative project is based in Los Angeles and Pittsburgh, arisen from an “accidental

Rose Rutledge – “Own World”

Swelling flutes and enchanting vocal layers stir on “Own World,” the new single from Rose Rutledge, a singer/songwriter originally from Seattle and now based in Brooklyn. “Own World” represents the artist’s debut

Andrew Schneider – “Hideaway”

Value Set! by Andrew Schneider Intertwining nostalgic sophisti-pop with a modern pop charm in the vein of Jerry Paper, “Hideaway” is a new single from Chicago-based artist Andrew Schneider. A ’60s inspiration

Joshua Woo – “Someone’s Star”

Moody synth-rocker “Someone’s Star” is the latest success from Joshua Woo, who continues a strong string of releases following last year’s EP, Beyond The Glass. The London-based artist produced, wrote, and performed

Flemish in the North – “Daisy”

Another serene delight from Arlington-based act Flemish in the North, “Daisy” weaves caressing guitar twangs and dreamy vocals amidst a calming synth-touched soundscape. An emotive vocal reflection emerges prior to the second

MOLTENO – “Stars”

Dreamy pop and atmospheric trip-hop inspirations propel the magnetic new single “Stars,” from London-based artist MOLTENO. Themes resonate in embracing positivity and hope in the midst of tumult; this perseverance is touching

LEUS – “Modern Preacher”

“Modern Preacher” is the emotive debut single from Tel Aviv-based artist LEUS, who projects themes of persevering into love and self-acceptance. “I made this to touch foreign hearts, and I hope it

Artela – “Seven”

London-based artist Artela debuts with a stylish electronic pop success in new single “Seven.” The opening lyrics — “I can see everything,” — resonate amidst a diverse electronic soundscape, from starry-eyed synth

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New Albums

Áron Porteleki – ‘Smearing’

Hungarian artist Áron Porteleki presents a deeply memorable sound across Smearing, a debut solo studio production that serves as a “sonic manifestation,”

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