A warmly melodic rocker from Meyru, “Georgia Says” is described by the NYC-based band as “a story of a long love gone awry and contemplates the notion of trying again.” The band
New Tracks
Balancing dreamy introspection and shoegaze-friendly textured momentum, “please like me” is a newly released track from soapberry. The project is fronted by Lisa, formerly the vocalist of the band Dakota. soapberry’s embrace
A throwback rock and pop enthrallment impresses on “Fake Nudes,” a new track from Boston-based artist Merry Cherry Bomb. Recently signed to Mint 400 Records, the project of Allie Gardner excels with
Lush acoustics, flourishing guitar twangs, and harmonious vocals lead a radiant entrancement on “The Sun,” a recent single from Atlanta-based singer/songwriter Jody Chamberlain. The production pairs a jovial soundscape, fit for beach-side
A breezy pop gem from Belgian act Noonzy, “Where/When” delights with jangling guitars and smooth vocal adornments. “Tell me where, tell me when,” the lead vocal refrain lets out, moving seamlessly within
A murky, hypnotic rock entrancement shows throughout “feel it,” a track from Lemon Denim. “I lost myself to understand,” a suave vocal drive lingers alongside twanging guitars and flourishes of keys. A
A delectably dark track from Simon Shackleton, “House of Mirrors” compels in its buzzing synth whirring and emotive vocal rises. Admissions that “I’ve lost my way,” in a house of mirrors melds
Stockholm-based artist Evermo emits a compelling folk-pop appeal on new single “I Will Come and Get Us.” The track comes via the debut album Songs I Might, which plays as a snapshot
New Albums
Showcasing a punchy rock spirit with compelling coming-of-age narration, Pupal Phase is the four-song debut EP from Lost Grrrl Found, a New
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Experimental electronic textures, industrial dissonance, and hazy pop sensibilities converge on Was It Real or Was It Just Me?, the debut album
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Berlin-based composer, violist, and songwriter r Dina Maccabee steps into the foreground on LMNO, an eight-song album following years of collaboration with
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Augsburg, Germany-based experimental composer Markus Mehr’s WATERSHED EP transforms recordings from the opening days of Russia’s invasion of Ukraine into a stark
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