A buzzing electro-pop soaring and artful thematic displays of self-discovery consume on “Eyes of the Dragon,” a new track from Los Angeles-based artist Nolo Grace. The Korean-American artist/producer shows a climatic structural
New Tracks
A newly released single from Hauspoints, “Hear No, See No” unveils a striking rock sound with a range of infectious guitars, brassy reflections, and bouncy synth-bass maneuvers. The various instruments take sporadic
A gorgeous, dreamy success from Dag och Natt, "Writing of a Story" represents the second single from the Stockholm-based quartet.
Building with climactic intrigue, from piano-laden balladry to expansive pop theatrics, “Unwinding” is a new track from Kid Again. Featuring Ryan Richter, the track excels in its tonal range and impactful instrumentation
“Remnants” is an effervescent, atmospheric fusing of rock and electronica — representing the second single from The Neuromaniacs, the project of Irish artist Johnny Brewer. The heady instrumental presents a spacious, contemplative
A bluesy, soulful balladry consumes on “Slippin’ Away,” a recent track from Pittsburgh-based artist Miss Freddye. Written by the late Mike Lyzeng, “Slippin’ Away” features Miss Freddye’s gripping vocal performance amidst a
London-based artist John Tibbits poignantly explores the effect of demagogues, and ensuing followers, on the impactful new track “Trumped Up.” The lyrics show the perspective of a follower, willing to do anything
A serenely dazed rock entrancement captivates on “The Blight,” the new single from Damndest. The dual-vocal power of Tim O’Keefe and Alana Sacks is enveloping throughout, aligned with droning guitars and steady
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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