“Hush Money” showcases the creative electronic and rock synergy of Binaries, a trio based in the North East of England. “Hush Money” is a very striking debut single, melding spacey synth-laden intrigue
New Tracks
A stylishly hypnotic alt-pop appeal is evident on “Treason,” a single out today from Gurry Wurry. The Edinburgh-based project of Dave King balances a mellow atmospheric charm with an array of instrumentation,
Kentucky-based band Tojo Yamamoto unveil an ardent, distortion-loving take on the Bowie/Eno classic “Heroes.” The delectably more intense tonal direction feels in contrast to recent depictions of the song, often portrayed in
“All you need is some love and some gratitude,” Cherylann Hawk sings alongside twangy guitars and balmy acoustics on the inviting single “Love & Gratitude,” encouraging others to take “some time to
Presenting a serene, shimmering electronic pop sound with a calming flow resembling ocean waves in the summer, “Maya” is the latest success from Rushkeys. The project of Lithuanian electronic artist and producer
Full of hypnotic intrigue, “Winds (Foll Remix)” is a riveting showcase from UK-based The Woven Project. The track comes via the Let Beautiful In: Rewoven EP, the byproduct of the band sharing
Formed in Manchester, Plastic Skulls is a rising project whose latest single, “In the Dark,” melds rock and pop intrigue with foreboding lyrical enjoyment — taking inspiration thematically from spooky horror B-movies
“Glass Shatters” is a resonating, soaring single from Pittsburgh-based Patti Spadaro Band, who describe the release as a “rallying cry,” to unite and celebrate women’s progress. The release takes specific inspiration from
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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