A grungy rock escalation grips on “Some Evenings,” a new track from Boulder-based artist Kwolek. The New Jersey native has impressed in the past with tracks like “Cemetery Days” and “Ronnie Stole
New Tracks
A beautifully unfolding new single from Colourshop, “Florence” engages with its vivid lyricism and thematic emphasis on beauty’s intrinsic, rather than utilitarian, power. The Italian-born, London-based songwriter conjures a sound that’s inviting
Manchester-based duo Barely Strangers enamor on their new track “Mess Around,” strutting a yearning vocal drive alongside a melodic sound that bridges ’80s jangly nostalgia with a modern, hooky charisma. Inspirations like
“Temptation Is a Weapon” is a fantastic return for Louisville-based band myclownshoes, who immerse with an ardent rock sound here following a nearly five-year hiatus. The single is part of their newly
A commanding alt-rock sound takes hold on new single “Stumble” from Scared of Sharks, a rising band based in Mogareeka, Australia. “‘Stumble’ is one of our favourites to play live and we’re
The debut single from Blue and Gold, “Golden Hearth” is a riveting display in soulful vocal momentum within a glistening, dreamy pop arsenal. “As she twirled, her dress reflected every change of
Oakland-based artist stillyoung thoroughly impresses on their debut single "Freak Like Me," celebrating honesty and relationships that value emotional intimacy, despite its often daunting prospects.
The second single so far this year from London-based band DAAY, “Land Of The Living” ventures from thumping pop intrigue into an expansive effervescence — complemented by heady thematic pursuits, detailing the
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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