Dublin-based duo Fig/Astro impress on their debut single “VR,” strutting a soulfully mellow rock entrancement with a replay-inducing groove. Per the band, the track represents their re-imagining of “a day in the
New Tracks
Cold Water (feat. Lucy Wroe) by Tom b Longtime collaborators Tom b and Lucy Wroe find ample success on new single “Cold Water,” an artful pop production with hooky vocal dynamics and
Evolving from debonair rock nostalgia into a brass-touched charisma, “Modern Life” is an engaging new single from Sahara CyberStars. The Stawell, Australia-based duo of Dave and Trish Long first caught our attention
NYC-based experimental rock project Uncle Skunk unveil a captivating, dynamic tonal display on new track “Drone Song,” which ascends into a blistering rock intensity following an understated, grungy intrigue. Principal songwriters Henry
A driving electro-pop accessibility shows on “Rewrite,” a newly released single from Seattle-based project Echo Peak. Pondering whether one’s future is “in the stars somewhere,” set aptly amidst spacey synth pulses, makes
“Haywire Hymnal” is a memorable rock single from Missiles to Malta, a band based in Bethel, CT. “Hey, don’t look now,” the suave vocals emit alongside steady guitar pulses, resembling a cross
The sophomore single from Montreal-based group Fleeting Colours, “Sling” is a beautiful display of their dream-pop and shoegaze intertwining aesthetic. Quaint, glistening guitars ascend seamlessly into a bursting central chorus, as the
A brief yet riveting single from Balsamine, “Fools Gold” swells from beach-set lyrical introspection amidst breezy guitars into doses of heavier distortion. The second half enamors in the seamless cohesion between these
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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