Nashville-based quarter Slow Animals reveal a moody alt-rock disposition on memorable new single “Bleedin’ Out.” A grungy, slow-crawling guitar progression complements understated vocals to start, lamenting they’ve “been consumed by the red
New Tracks
The two latest singles from Kama Tala showcase the artist’s emotive rock appeal. The project of songwriter Philip Earhart excels with a dynamic rock sound, touting both peppy hooks and suave guitar-led
The debut single from Edinburgh-based trio Thundermoon, “Wild” impresses in its thematic escapism and lush synth-driven expanses. Initial plucky synth-driven momentum complement lyrics with a steady stream-of-conscious feeling, aligning with descriptive explorations
Engaging in a range of acoustic-driven commentary and ardent vocal rises, “God Couldn’t Save The Queen” is a track out today from Danish-Dutch trio Subterranean Street Society. Releasing aptly on the one-year
Love and War by Jennifer Tefft A track out today from Boston-based artist Jennifer Tefft, “Love and War reveals a moody rock engrossment, concocting an ’80s nostalgia with its anthemic vocal dynamics
A compelling pop success from New York-based artist Eleri Ward, “Grieving the Future” meshes punchy hooks and serene synth-laden ruminations alike. This original track follows three cover albums from Ward, who also
“Inside Out There” is a tranquilly compelling single from No Thanks, Man, the project of artist Geraldine Espino. The track represents Espino’s third single, following “Ok Fine” and “Away Already.” Described as
A fierce rocker taking inspiration from early ’00s alt-rock and punk pursuits, “Indigo” is a strong showing from London-based band Bvrden. They describe the effort as “about fighting for one’s own purpose
New Albums
Only a broken heart can hold the world marks the ambitious full-length debut of London-based, Taiwanese producer and singer-songwriter Susan Style, chronicling
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Multi-instrumentalist and producer Stephen Murray and his prog-rock moniker Sun Raven impress with a third full-length effort in Anam Cara. The Australian
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Recording from his bedroom studio in Crystal River, Florida, multi-instrumentalist Michael Thomas Brown explores existential questions within a dynamic rock sound on
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Enamoring with glistening guitars, emotive strings, and melodic vocals, an impactful array of songwriting shines on Everything’s Moving, Nothing’s Changing, the debut
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