“PERMANENT” is a new track from ryan john clary, who was the frontman of the band Vú/Driip from 2015 to 2020. His solo material reflects a more introspective, acoustic-embracing sound, evident on
New Tracks
A hypnotic, lulling rock soundscape features on “Goodnight,” a recent track from Carl Dolphin. The closing track from the album Music for Frogs Vol. 1, “Goodnight” presents an eerie lyrical composure —
The new single from Maudlin Strangers, “Don’t Worry, I’m Fine” stirs in its thumping rock momentum, fondly reminiscent of Arctic Monkeys in its debonair vocal tone’s ascent into a blistering fuzz-friendly fervency.
California-based artist Kevin Nichols shows a compelling rock sound on new single “Looking at The Ocean,” excelling in its reflections on complacency; “I don’t think looking at the ocean’s much of a
Suave guitars and brass complement a soulful vocal charisma on “day after dark,” a recent single from wishpenny. The Nashville-based duo of Brian and Regina Russell compel with a confident, timeless-feeling suaveness
A bluesy, distorted rock nostalgia lingers on “COMING.GOING.,” a new track from VELIKA VELIKA, a project based in Belper, UK. Distorted bass amps and live drums complement a chilled-out vocal composure, with
A stellar new single from Pittsburgh-based artist Miss Freddye, “Let It Burn” conveys a sense of seduction and ensuing loss of control alongside a bluesy, soulful rock charisma. Miss Freddye’s commandingly confident
Austin-based singer/songwriter Devon Grace reveals a hauntingly intimate sound on “Losing Game,” casting an eerie sense of melancholy and longing. “I wrote it about a girl I was in love with,” the
New Albums
Brooklyn singer-songwriter Adelide explores the difficult terrain of young adulthood on The Way Up, a six-track EP. Blending soul, disco, and modern
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Swedish musician and producer Kristoffer Ragnstam, who records as They Owe Us, has spent over two decades in the alternative scene, supporting
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Stereotyping is the latest album from electronic artist Marek De Vann, also featuring Hammond organist Paolo Apollo Negri, released via influential Italian
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In The End is an emotionally raw EP from Australian outsider artist Hurb Jephasun, drawing on decades spent in Sydney’s underground music
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