“No One” is a striking track from Ngoni. A moving, soulful aesthetic is led by brooding vocals, a string-laden undercurrent, and powerful brass movements. The theatrical brass and mounting percussion exude a
New Tracks
Kind Habitat thoroughly impress with the melodic, twangy “Nobody Can Hear Me.” The guitar twangs and suave vocal tone make for a sound that recalls Neil Young, especially apparent upon the higher-pitched
Run to You by Julia Anrather “Run to You” is the latest from NYC artist Julia Anrather, impressing earlier this year with the infectious “Dorothy.” Featuring mellow guitars and a grooving bass
Exhibiting a swooning vein of infectious pop, “I Want It” is the latest from Tim Ayre, the Australian musician who impressed with the track “LAXX” last year. “I Want It” doesn’t quite
Recorded in an isolated cabin on the Potomac River in West Virginia, “Show Me Your Hand” is the latest track from Greg Hatem. Inspired by The Hermit tarot card, the release presents
The memorable “No Country” is the debut single from emerging Manchester-based act Mewn. Per the band, the effort provides “different emotional perspectives on a character that society has left behind, culminating in
“Real Love” is a catching new track from Starwolf, the second single from the project’s upcoming EP, due later this year. The track’s funk-tinged pop production plays excellently, with the vocals exuding
“Epoch (for H.J.D.)” is the newest track from London-based singer/songwriter The Birthday Letters, the project of Joseph Hughes. Impressing with past efforts like “Lesser Evil” and “Dirty Crusty,” The Birthday Letters continues
New Albums
Self Help Manual, the captivating new album from AUTORHYTHM, traverses lush, scenic electronic terrains, often accompanied by infectious percussive pulses. The electronic
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Tsubasa Lucid‘s concept album Leave Her to Heaven, Leave Him to London chronicles his London years through a unique blend of country,
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An enamoring, hook-filled rock sound shines on White Magic, the debut album from Los Angeles-based act HOLLYWAND. Guitar-driven energy pairs with poetic
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Todd Adelman and the Woodsmen‘s self-titled album delivers an authentic, organic blend of country and rock and roll. Rooted in honest, working-class
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