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Video: Iron & Wine – “Godless Brother In Love”

Music videos have certain comfort zones, especially when the music has uplifting and contagious qualities most typical of nostalgic rock or folk. One of these zones consists of young people running around, often outside among g...
 
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The Soil & the Sun – Wake Up, Child (2011)

The recent trends in psychedelia gravitate more toward the sprawling trebly end of things, beds of sound instead of pointed guitar attacks. This can sometimes lead to an almost complete lack of definition, a sense of sea-sickne...
 
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  • Fit for nighttime drives, “Strangers” is a newly released track from songwriter/producer Javier. Effectively conveying a late-night, soul-pop sound reminiscent of Frank Ocean, “Strangers” rides on entrancing vocals to start. The “strangers treat me better than you do,” hook works wonderfully with the mellow guitar smatterings and subtle vocal backing. A tender guitar solo around 01:30 adds nicely to the seductive feel. “Strangers” succeeds in mood and melodic captivation. “This song is about being alienated by the people you think are closest to you,” Javier says. “I got the idea for it when I started feeling like a lot of people that I valued in my life didn’t see the same worth in me. I wrote, produced and recorded this song in my attic.” {Link to listen in bio}
  • “Oblivion” is a gripping, atmospheric track from Amphior, the project of Danish electronic music producer Mathias Hammerstrøm (featured in the past with solo material and as Amphior). Hammerstrøm’s knack for mysterious, Twin Peaks-esque melodies is a continuation throughout his releases, and continues on “Oblivion” with its murky synths and dark crackling. “Oblivion” opens up Amphior’s forth EP We Used to Dance. 40 minutes long, the EP releases on September 2nd on Mathias’ own label ‘Hammerstrøm Records’. Sangam will also have a remix of “Oblivion” upcoming. “I wanted to write a record that was more inspired by ambient music and meditation exploring memories and flashbacks – trying to hold onto them, before they disappear completely,” the artist says. The release also leans “comfortably into aspirations of ambient music, hints of meditation and the internet phenomenal ‘ASMR’.” “I’ve known about ASMR for a couple of years and sometimes listen to videos on YouTube when I want to feel the “tingling” sensation and I even use it for sleep – I think ASMR is offering a very special aspect of sonic calmness and I wanted to explore its function when it’s mixed with music already aiming to achieve a calm atmosphere.”
  • The deeply melodic “Room with a View” is a track released 7/26 from @gregcameo, a bedroom producer and multi-instrumentalist based in Vancouver, BC. The artist’s present focus is on crafting “melancholy music for the dancefloor,” — chiefly inspired by downtempo disco. The excellent “Room with a View” is exemplary of that approach, remaining sweepingly melodic throughout alongside a melancholic yearning. The track’s “winner gets it all,” hook soars with spacey, synth-driven mystique. Think Beach House infused with some downtempo disco rhythms. “Room with a View” is a stellar release from Greg Cameo. {Link to listen in bio}
  • Evaporate your blues with the lush, tropical-sounding “Laying on the Grass” from @sugarloafbeach. The project of a Brazilian singer/songwriter based in Melbourne, Sugarloaf Beach maintains a bossa nova influence within surf-rock and dream-pop sentiments, an ideal fit for the laid-back and island-set aesthetic. The serene wordless backing croon and tropical guitar swaying opens the track in engrossing form, re-emerging around 01:17 after a series of lush verses. The touch of saxophone in the conclusion lends a full, satisfying feel that accompanies the island guitars with ease. “Laying on the Grass” plays like a cool summer breeze that you want to keep passing by. {Link to listen in bio}

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