Threegonos – ‘Questioni Di Pensiero’

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A dynamic, colorful jazz immersion shows throughout Questioni Di Pensiero, the compelling new album from Threegonos. The Rome, Italy-based project — led by bassist Toni Armetta — embraces a melodic and atmospheric charm within, infusing elements of tango, flamenco, and global rhythms alongside flourishing arrangements. The Italian jazz collective was formed nearly 20 years ago, drawing ample praise for their performances at many renowned festivals. The excellent Questioni di Pensiero follows up their 2023 debut, Return to 80th Street.

The title track commences with a vibrant allure, as jumpy rhythms and smooth interplay between guitars, saxophone, and keys meld with enjoyable sophistication. Soaring guitar lines and caressing saxophone lead into an outpouring of vocal emotion, then traversing past the one-minute turn into various instrumentation taking charge — first charismatic guitar work, and then orchestral fury. The ensuing “Como si fuera una buleria” emits a more tranquil intrigue initially, with magnetic piano work invoking a late-night feeling. Ardent pushes of guitar then appear alongside, channeling a rock-friendly invigoration throughout the first half, and then a saxophone and accordion-propelled satiation into the conclusion.

Another standout track, “The Day Passage” enamors in its more daytime-set aptness, bringing forth bright saxophone and bustling rhythms for a sound that would fit nicely within depictions of a busy cityscape. “Sonhos diferentes” is another gem, seamlessly infusing dreamy vocals amidst twinkling keys and active bass lines. The scorching guitar work past the two-minute turn stirs, as does the gorgeous saxophone infusion a couple minutes later. Questioni Di Pensiero is an enveloping overall success from Threegonos.

“Sonhos diferentes” is also featured in the genre-based, best-of Spotify compilation Rainy Days and Late Night Drives.

We discovered this release via MusoSoup.

Mike Mineo

I'm the founder/editor of Obscure Sound, which was formed in 2006. Previously, I wrote for PopMatters and Stylus Magazine.

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