London-based project The Willis Ordeal delivers an inviting and organic charm with their new four-track EP, recorded in a single day on an East London boat. From the soothing, escapist allure of “Calm” to the playful rock energy of “Backseat Driver,” the release succeeds across both brisk, soulful rockers and folk-touched reflections. It makes for a resonating output from The Willis Ordeal, who embrace the power of community and supporting artists in the London music scene, with frontman Willis hosting “Presents” shows for emerging artists.
The aptly titled “Calm” opens the EP with inviting charm. Tender guitars and warming bass complement a reassuring vocal presence, offering their “busy mind” as a palate to “paint it purple and blue” whilst leaving the real world behind. A palpable sense of escapism and appreciation is conveyed alongside smitten allure, as a soulful rock breeziness delights. “When the sunny days seem so far away, you make me feel so calm,” the vocals resonate, finding inner-peace and a loved one’s presence as coexistent. The ensuing “Hairclips and Change” moves with click-clacking percussive intrigue, weaving mellow keys and brisk guitars; the vocals — aspiring for “the camaraderie that they have” — navigate enjoyably, showing shades of black midi’s most approachable material.
“When It Rains” then embraces the more folk-ready realm, pairing lush acoustics and introspective vocals — admitting stubbornness: “I’m as defensive as a wooden fence, if I can die on this hill I will.” The heartrending question “why do we always argue when it rains?” emerges following this analysis of self, as twangy guitars and stately piano combine gorgeously. EP finale “Backseat Driver” shifts back into a playful rock charisma. “I got you, baby, and you got me,” adoring vocals let out amidst punchy guitars and serene keys, confident as a team through any future hardships into a final “got you” refrain; it makes for a contagious, replay-inducing send-off to this stellar success of an EP from The Willis Ordeal.
