Joseph Schwartz showcases a unique versatility on the Superhuman EP by reimagining a single high-quality composition through multiple stylistic lenses. From the ’80s arena-rock energy of Rock Superman to folk and country interpretations, the Chicago-based artist maintains a consistent lyrical focus on media truth and personal power. This multi-genre journey highlights Schwartz’s ability to adapt a singular melodic vision across diverse, virtuoso soundscapes. It represents another memorable release, after he caught our attention with last year’s full-length exploration of vices, Seven Deadly Sins.
Kickstarting the album, “Rock Superman” resembles an anthemic ’80s rock classic from the get-go. Prancing piano illumination and soaring electric guitar move into a solemn vocal introspection: “The TV screams in red and blue / Another fight, nothing new.” Commentary on the lack of truth in media — “one guy’s paid to sell the lies / one holds the facts, and rolls his eyes” — proves poignant and relatable, aptly complemented by an uptick in intensity as the vocals declare “so I plugged in and felt the vibe, a power that I can’t describe.” Personal catharsis through art is palpable, thematically, while the guitars assume a powerful distortion-heavy fervor, arriving into the anthemic “I’m Rock Superman!” declaration.
The remainder of the EP presents various stylistic spins on the track, starting with a brisker version of the rock rendition, stirring as well. Coming next is “Pop Superman,” succeeding in similarly relating that “rush I can’t describe” as dreamy synths and funky guitar spiritedness combine, sounding like a fun mixture of Robyn and Daft Punk, especially in the charged-up central hook. “Country Superman” then arrives with an energetic appeal, ushering in frantic guitars and heartfelt vocals; the midpoint strings also dazzle with their energy. The “(Modern) Country Superman” feels even more climactic, with its rousing “raise some hell” distortion-friendly energy, while “Folk Superman” concludes the EP with a dynamic enamoring — shifting from classical-minded initial piano to acoustic-embracing folk entrancement. Regardless of the style, Joseph Schwartz succeeds across the Superman EP.
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We discovered this release via MusoSoup.
