Idiot Grins – ‘Golf Cart Life’

Excelling with eclectic productions and consistently gripping songcraft, Golf Cart Life is the latest studio album from prolific Oakland-based rock and soul outfit Idiot Grins. The genre-blurring collection weaves elements of classic rhythm and blues, psychedelia, and Americana, matching bright horn sections with sophisticated vocal arrangements and a rebellious, carefree spirit.

A wholly captivating opener exemplary of the band’s stylishly dynamic prowess, “Hell No” commences with a melding of intriguing synths and symphonic passion. Brassy vigor and flourishing woodwinds then push forward into a charismatic vocal presence, tonally reminiscent of Steely Dan in the soaring vocal harmoniousness and high-level musicianship. “I wake up every day,” an especially compelling sequence pushes forth, adorned by strings and brass, stirs. The ensuing “Flip Flop” channels a peppier rock appeal, with shades of Southside Johnny and Elvis Costello in its spirited vocals and “the sand blows through my clothes” oceanside scene-setting, from sun-influenced uplifted moods to carefree shore frolicking. Its “feel my time fading” chorus delights as well in its twangy guitars and passionate brass.

Another standout track, “Phantom” struts a more folk-friendly introspection in its brisk strums and laid-back “it will take some getting used to, it’ll probably wear you down” vocal guidance. Its “shameless ways” hook is also replay-inducing in its melodic pull. “Collins Collins” is a gem as well, featuring a brass-forward chorus with layered vocal charisma, emitting “are you what you wanted to be?” contemplations. Album finale “End of Everything” is the album’s lengthiest track and also one of its most satisfying, commencing with soulful piano tones and gliding into rollicking throwback guitar work and a psychedelic, hazy outro. Golf Cart Life is a full-length success from Idiot Grins that’s abundant in consuming songwriting.

“Hell No” and other tracks featured this month can be streamed on the updating Obscure Sound’s ‘Emerging Singles’ Spotify playlist.

Mike Mineo

I'm the founder/editor of Obscure Sound, which was formed in 2006. Previously, I wrote for PopMatters and Stylus Magazine. Want to submit your music? Check out our Submissions Page. For full PR campaigns -- personalized outreach to hundreds of blogs and playlist curators -- see my Music PR Services.

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