A riveting display of new-wave and post-punk precision, Videopticons is the new album from Vancouver-based trio The Zaxons. Built on catchy rhythms, nocturnal synths, dynamic guitars, and introspective vocals, the record explores introversion and shifting states of consciousness alongside tightly constructed, British-influenced rock entrancement.
Opening the album in memorable form, “Keswick Cutouts” delights in Julian Growcott’s debonair vocal steadiness interplays with jumpy bass and dynamic guitar tones, spanning from ardent bursts to jangling intrigue. The “end of time” sequence is especially gripping, playing off twangy guitars and trickling synth work, then punctuated by a brass-y bassy charm. The album’s title track follows, embracing a post-punk bass briskness amidst contemplative guitar jangling and haunting mid-point synths, conjuring a sound fondly reminiscent of The Chameleons in its stylish, nocturnal bustle.
Another highlight, “Bidston” is exemplary of the band’s climactic structural ability. “Tell my mind accelerate,” a consuming vocal pace lingers alongside spacey synth flourishes and booming bass, venturing across a gorgeous array of twangy guitars and vibe-y synth pads. “Rhys Replica” delights as well with a pulsing rock energy, showing a greater sense of tonal clarity and moving with a more Brit-pop flair — a la Blur’s Parklife era — in its heavier guitar output. Finale “Television Play” concludes with satiating enjoyment, its “don’t waste your time” vocal beckoning pairing with sludgy bass and haunting guitars for another memorable production. Videopticons is an excellent full-length output from The Zaxons.
