Jersey City-based songwriter Kevin Honold captures the euphoric freedom of the weekend on “Saturday Night.” Blending jazzy classical guitar, rich strings, and smooth saxophone, the track builds into an expansive, full-band celebration
New Tracks
Asheville, NC-based artist Fuji Gateway ventures across dreamy psych-pop and escalating vocal passion on new single “Last Movie We’ll Ever Run,” described as “about being chronically stuck in your head.” It represents
A serenely caressing single from Mantisgrove, “The Weather” fuses lush synths, twangy guitar lines, and absorbing vocals — tempting with “take a little drive, on down to the coast” escapism — within
Washington, DC-based artist Die Feen crafts a darkly memorable sound on new single “Here Comes The King,” finding a compelling middle ground between nocturnal post-punk steadiness and synth-touched effervescence. The project’s first
A grooving combo of funky pop and glam-rock delights on “Camera,” the stylish debut single from Second Paloma. The Los Angeles-based band formed last year after performing together in various forms, and
Niles, Michigan-based quartet The Erly delivers timeless rock on “Finish Line” and “Hundred Dollar Bill.” Both tracks blend vintage organs, piano, and soulful guitars, exploring relationship complexities with infectious groove. “Finish Line”
Propelled by a fantastic, dynamic display of art-pop, funk, and electronic R&B, “Balenciaga Boots” is a recent track from Ruven, the project of London-based, Virginia-born artist, songwriter, and producer Brian Parker. As
A resonating, heartfelt alt-rocker from Adam Jensen, “Cellophane” pairs fervent vocals with erupting guitar distortion, which at its heaviest moments fondly reminds of early Smashing Pumpkins. Representing the first single from his
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
MoreBudapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
MoreVictoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
MoreMode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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