As the title would imply, “Going Steady” is a throwback — specifically, with showings of rockabilly and ’50s rock. The track, recorded with producer/engineer Ewan Kay (Moon King, Austra) at Candle Recording
New Tracks
Nasty Magic – a collaborative project from Claremont, California – describe their new track “Hide & Seek” well: “like a grunge song for an aerobics class in the 1980s.” Vocal swooning –
King Kong by Black Light White Light “King Kong” is a suave slice of psych-rock from Danish/Swedish act Black Light White Light, who will be dropping their third album Horizons tomorrow. A
RR018 Hear my Heart by FMFL “Hear My Heart” is a lush new single from FMFL (Functional Music for Lovers), the project of Adam Matschulat, a sound artist and producer from Sao Paulo, Brasil
With an audible fondness for ’90s alternative in the vein of A Perfect Circle, Belgian act Auramancer impress on the track “Tree of Love”. Auramancer is a project influenced by the grunge
Orchid Mantis is the very promising project of Atlanta songwriter Thomas Howard. He began the project in 2014, successfully aiming “to inhabit the edge between ambient song structures and pop songwriting, employing
Divisions by Greatest Lakes Milwaukee act Greatest Lakes will be releasing their new album, Divisions, on May 4th. If its opener, “Forest”, is any indication, listeners are in for an extremely pleasurable
The End of the Day by Vivian le Vavasseur In his successful pursuit of ’80s-tinged synth-pop magic on new track “The End of the Day”, Vivian le Vavasseur embraces an analogue vintage
New Albums
On the ambitious Redux Trilogy, London-based project Coaxial delivers three distinct releases — Redux Media, Firemaniac, and Wittgenstein–Cronkite–Hellholes — designed for simultaneous
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Los Angeles-based band Sego unleash an eclectic, charismatic art-punk and rock appeal on their new album, Direct To DVD. Flipping a format
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Newly released album Muffled Ears, the World Sounds Bad Quality finds Reading, England-based artist Sightseeing Crew crafting a sophisticated collision of psychedelic
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Rina Kharrasova captivates with a sharply focused interpretation of Maurice Ravel’s Sonatine, M. 40. Moving beyond “impressionistic haze,” the Moscow Conservatory graduate
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