FayRoy – “Stuck in the Yard”

September 19, 2018

Oh no, oh man by FayRoy “Stuck in the Yard” is the closing track on FayRoy’s new album Oh no, oh man, released this past Friday. Based out of Indian Rocks Beach,

Lavender Blush are a noise-pop act from San Francisco, who embrace “home recording, atmospherics, and analog warmth,” within a sound steeped in shoegaze and post-punk elements. My Bloody Valentine’s influence is evident

Breakers – “Figure to Ground”

September 19, 2018

Rewrite by Breakers On their new album Rewrite, Breakers show a hook-y sound influenced by New York indie-rock in the vein of The Strokes, with shades of Interpol’s rhythmic post-punk fervor. “Figure

Asian Fred – ‘Super No. 1’ EP

September 17, 2018

Super No. 1 is a great new indie-rock EP from Asian Fred, one of the most consistent releases in the rock genre this far. Fred Huang’s project – which incorporates a timeless

Salty Springs – “Cucknite”

September 17, 2018

“Cucknite” is an atmospheric new track from Portland, OR act Salty Springs, released today. Fit for studying, night-driving, or gaming (the track is designed to fit well for the character emotes in

The Colonies – “Her Hands Are So Cold”

September 17, 2018

? Washington, D.C. indie-rock act The Colonies impress again with “Her Hands Are So Cold”, released this summer alongside the previously featured “Bound to Be Something Good“. This track’s “queen of the

Edward Glen – “Longfellow Bridge”

September 17, 2018

Longfellow Bridge by Edward Glen Edward Glen’s “Longfellow Bridge” kicks in with a warm, twangy guitar lead and shimmering backing acoustics, alongside a simple though effective rhythm section. Lo-fi though melodic vocals

HoneyChrome – “Boomerang”

September 17, 2018

“Boomerang” is a catchy new track from HoneyChrome, released on Friday. Pulsating synths and a percussive click-clacking let the emotive vocals lead initially, with punchy clap-laden percussion in the bridge bringing listeners