A “lament on modern day (mis)communication,” Madeline Tasquin’s gripping track “Future Telephone” meshes her lush vocals with an eclectic stylistic grasp that reminds of St. Vincent, traversing across suave blues-tinged twists (like
New Tracks
G.H. Hat has traversed across every genre imaginable as a producer, remixer, composer and performer, with hundreds of releases under his name. His entry into the EDM arena in 2016 was marked
Impressing previously with “In the End” and “Hangup Blues“, both captivating efforts with a bluesy organ-laden feel, Boston trio Wake Child pursue some exciting new stylistic developments on the recently released “Kathaleen”. Trickling,
The brightly infectious “So Good (I Could Die)” turned me onto J Bengoy this past May, showcasing a fun-loving twang reminiscent of Wilco and Beulah. The act – based out of Burlington,
LocalBlac is the captivating hip-hop vehicle of Los Angeles-based Travon D. Bryant, who previously released under the name Blac Negus. Stylistically, his fantastic new track “HOV” reminds of the soundscape on the
Crunchy guitars lend an immediately nostalgic, alternative-rock vibe on John McCabe’s new track “Too Late”, released as part of his Flower Circle EP and recorded, mixed, and produced by John Kimbrough in
Coulter Monsell is a multi-instrumentalist capable of stirring soundscapes and rich melodic development. His debut album, Create or Destroy, features a variety of tracks that meld his multi-instrumental prowess with an emotional
Based out of Jackson, Mississippi, Monsters and Miracles are an electro-tinged pop act led by producer and multi-instrumentalist Jon Dray Lee. On new track “The Silk Road”, he weaves dark and light,
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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