Midwest by Spiller Eugene, Oregon-based quartet Spiller produce a vibrant, brisk sound that blends elements of indie-rock, math-rock, and jazz. Some bands who assemble such a mixture can fall victim to over-involved
New Tracks
Sydney, Australia-based Spilt Milk are a trio quite ahead of their years, as they’re in their last year of high school and already cranking out quality indie-rock with their debut single “The
“Look Up, Paradise” is a gorgeous, sample-laden effort from London-based Channel Swimmer, whose music video was culled from Miami tourism promos from the ’80s and ’90s, to mesh with the sun-tinged nostalgia
“I’ll Stick With You” is a great showing of the atmospheric power conveyed by Last Days of Elvis, a project originally formed in Glasgow, Scotland by Andrew Stark and Seán Gallen, who
Radio Macbeth are a lo-fi indie-pop/rock act hailing from Oregon, whose new track “Vapor Trails” is via their new album Bubblegum Wasteland, releasing September 1st. They appropriately describe this one as “an
Noisywaters are a duo based out of Bellingham, Washington, comprised of harpist Will Barrett and Benza Maman on vocals and keys. They merge infectious trap beats with dream-pop, with the harp element
“Hello” is the impressive debut single from The Max Tribe, a group that formed in 2013 when Nashville native Austin Max (guitars/vocals) united with Austrian-born Conner Kessler (drums) at Berklee College of
Sunset Exotic, the solo project of Santa Rosa-based producer/composer Charlie Foltz, shows fuzzy infectious charm on his fourth single, “High Fidelity”. Written as an ode to a relative stranger who left him
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
MoreBudapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
MoreVictoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
MoreMode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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