“Pseudo” is another hazy pop crooner from The Doubles, who impressed last month with “All My Eyes“. Tropical keys pulse like a heartbeat, as hypnotic vocals relatively akin to Panda Bear stretch
New Tracks
Featured a few weeks ago, Rare Monk’s single “Happy Haunting” was wonderfully received, with fluid guitar work and a gorgeously melodic hook hinting that the band’s forthcoming album A Future would be something special.
“21” is the title song off Alexandra Angele’s new four-song EP Willow Park. Clear keys and gentle trickles combine with an effective whistling snap, as the Jersey-born singer/songwriter flexes her lush vocals
Rising producer Listenbee displays his infectious charm on new track “Listenbee”, whose summer-friendly synth warbles and fresh vocals courtesy of previously featured Cosmos & Creature makes for an excellent aesthetic. A child-like
Los Angeles-based pop act Flaviyake shows a spacey, engaging vein of songwriting, which on new track “Bad in Bed” explores submission and BDSM in general. A chiming synth-led bounce leads the peppy
Oakland experimental project ds|feco explores the ideology of would-be Jihadist recruit, brought on by recent events, on new track “Jihad du Jour”. David Fetcho, the man behind the project, recalls acts like
London-based Hyphen’s new single “Lost” is a brass-laden fusion of soul, electronica, and trip-hop with an exciting, precise flow. The verses, packed with swanky brass and sly vocal hooks, lead into an
Boston trio Wake Child impressed this May with the superb track “In the End“, with bluesy organ and hook-y, emotional songwriting resembling a cross between !!! and Jeff Buckley. Their newest track “Hangup
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
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Budapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
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Victoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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Mode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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