Ridgio’s new track “I’m Just A Man” touts a beat that reminds of the lush, springtime psychedelia on Avalanches’ Wildflower. The Chicago-based rapper has a fluid delivery that seamlessly navigates various structural
New Tracks
Vancouver art-pop quintet Only A Visitor just released their new full-length, Lines, today. Fronted by composer/arranger Robyn Jacob, the act has performed at festivals such as Artswells, Campbell Bay Music Festival, The
San Francisco-based Nick Schott’s new track “Empathic Hunter” begins fairly unassumingly, with a tight funk-tinged rock arsenal. The chorus, though – both in its first entry at 01:01 and second at 02:34
“OLYMPIA” is a bright piece of pop with a spacey allure, with a sound that resembles a hybrid of J-Pop sugar-sweetness with Muse’s spacey, anthemic feel. Either way, it’s a uniquely effervescent
Dome Hall, a five-piece out of Newcastle, achieved acclaim with their debut single “Marske Woods”, going on to secure support slots with the likes of Clean Cut Kid and Frightened Rabbit, in
Premiering yesterday on buzzbands.la, The Federal Empire’s new single “What Are We Fighting For” is a fine effort centered around a stadium-sized chorus and sampled old church choir. The track’s folk-driven bounciness shows
“Seventeen, Baby” is a stunning track from Papyllon, a young band from Prešov, Slovakia. It hooks from the get-go, with late-night brass and a smoothly paced rhythm section establishing the feel. The
Emme is an act from Austin, Texas comprised of vocalist Sowmya Somanath and beatmaker Walter Nichols. Somanath’s vocals are entirely captivating, lush and caressing in allowing the atmospheric beats to flow fully.
New Albums
Self Help Manual, the captivating new album from AUTORHYTHM, traverses lush, scenic electronic terrains, often accompanied by infectious percussive pulses. The electronic
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Tsubasa Lucid‘s concept album Leave Her to Heaven, Leave Him to London chronicles his London years through a unique blend of country,
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An enamoring, hook-filled rock sound shines on White Magic, the debut album from Los Angeles-based act HOLLYWAND. Guitar-driven energy pairs with poetic
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Todd Adelman and the Woodsmen‘s self-titled album delivers an authentic, organic blend of country and rock and roll. Rooted in honest, working-class
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