The High Crook is a blues/rock band from Kolkata (formerly Calcutta), the capital of India’s West Bengal state. They formed in late 2013, channeling a love for blues, pop, and rock ‘n’
New Tracks
Groupoem is a newly reformed rock act from Vancouver, who released their new album Dirt Church this past May. It’s a 19-track release that the band recorded in Toronto in their earlier
Pekoe Cat (Kyle Woolven) showed ample versatility on his recent album Digital Chaos, exploring a variety of electronic soundscapes while retaining a sound fondly akin to early Ariel Pink, particularly in his grasp
On previously featured “Cosmos“, Brooklyn-based act God Tiny showcased an energetic slice of psych-rock bliss, complete with soaring, trippy vocals and enveloping guitar licks. “Awaken” – also from The Space Inside Your Head – pursues
“Pseudo” is another hazy pop crooner from The Doubles, who impressed last month with “All My Eyes“. Tropical keys pulse like a heartbeat, as hypnotic vocals relatively akin to Panda Bear stretch
Featured a few weeks ago, Rare Monk’s single “Happy Haunting” was wonderfully received, with fluid guitar work and a gorgeously melodic hook hinting that the band’s forthcoming album A Future would be something special.
“21” is the title song off Alexandra Angele’s new four-song EP Willow Park. Clear keys and gentle trickles combine with an effective whistling snap, as the Jersey-born singer/songwriter flexes her lush vocals
Rising producer Listenbee displays his infectious charm on new track “Listenbee”, whose summer-friendly synth warbles and fresh vocals courtesy of previously featured Cosmos & Creature makes for an excellent aesthetic. A child-like
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
MoreBudapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
MoreVictoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
MoreMode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
More
