San Francisco-based rockers Distant Mountains impressed this past year with “Liquid Doubt”, a beauty with an ’80s tinge reminiscent of Echo & the Bunnymen. Their captivating atmospheric presence is once again prominent
New Tracks
Off his upcoming album Skeletons, out March 31st, “Turn It Up” is an extremely fun synth-popper with a distinctive ’80s charm. It has that sort of lovable cheese you’d expect out of
Simen Mitlid’s upcoming album has been preceded by three singles, the first being “Vacation” and the most recent “I Don’t Care”, released on February 24th. The singer/songwriter from Oslo, Norway has a
Lusterlit is an emerging duo comprised of Susan Hwang and Charlie Nieland, previously of the group Her Vanished Grace. They’re both part of Bushwick Book Club, “a rotating group of songwriters and performers
Logwitch is an interesting act based out of Edmonds, Washington, who spans numerous genres to find his own niche within EDM. His new album, Trail of the Contortionist, “melodically tells a Lovecraftian
Previously showcased with the tracks “Evaporate” and “Coward“, Maine-based project AGENCY has a new track out called “Join in”, off his new album Identity. The project remains an enigma for the most part,
On “Menomonee Road”, basic southern-tinged folk beginnings evolve into a expansive chorus, where various vocal layers and electric guitars come into the fold in a way that’s very anthemic. A guitar solo
“Less Myself” is a haunting stunner from Sister Socrates, a four-piece out of Melbourne. A ghostly backing croon permeates throughout the track’s majority, with bustling acoustics and a crawling bass line help
New Albums
Newly released album New Colors of the Sky traces Noah K‘s rapid creative evolution across seven distinct tracks, capturing his shift from
MoreLed by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
MoreBudapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
MoreVictoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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