The Moonlight Club is a band of extremes. The Montreal-based trio’s song “Words In Gold” jumps from brooding verses to a chorus that flows with confidently soaring glee, chugging along in jangle-pop
New Tracks
Los Angeles duo Bad Feelings cite Arctic Monkeys and The Killers as bands they admire; both influences come into the mix on their single “Do You Wanna Get High”. The stomping beat
When Miles Davis has a nickname for you (“Chops”) and you’ve played with the likes of David Bowie (on “Let’s Dance”) and Mick Jagger (“Dancin’ the Street”), there’s little left to prove
We posted about WiseProof’s futuristic vein of hip-hop about two months ago with his single “More More More More“, which featured spacey synths, climactic stutters, and a hypnotic core beat. His implementation
The Lost Poets are an elusive blues-rock duo from Stockholm, Sweden that tout a muscular, guitar-driven sound. They’re already attracting attention in Sweden (by appearing in Dolph Lundgren’s forthcoming film With You
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3421 is a stimulating new electronic project from Haifa, the northern capital of Israel. Their new track “Not Coming Back” – premiering here – blends elements of atmospheric free-jazz electronica (especially in
The Blank Waves by Blank Waves If LSD had a sound, it would probably be something like “Changing Sun”, the new track from psychedelic electronica trio Blank Waves. The Phoenix band’s bizarre
New Albums
Wunderkammer is an enveloping art-pop album from Pocket Lint, the London-based solo project of Mark Heffernan. An immersive blend of synths, guitars,
MoreTalented duo About Aphrodite traverse a variety of styles on Songs Without Words, an album released via Protomaterial Records. Blending Persian folk
MoreMazmere’s guitar-driven EP David stands as a deeply moving tribute to those who have passed. Blending post-punk noise and shoegaze textures, the
MoreScott Moran delivers an emotionally riveting album on Sixth of the Six, a poignant journal chronicling the international abduction of his daughter,
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