UK producer Paul Cullen’s electronic project, The Natural Curve, charms with the infectious single “Silly Girl.” Pushing further into retro synth-pop territory than ever before, the track balances steady percussion and punchy

New York-based songwriter Mark Cee delivers a poignant ambient folk single with “How You Left Me Still.” Inspired by the sudden loss of his father, the track weaves hazy acoustics and delicate

Scotland-based solo project Rorksha crafts a captivating sonic landscape on the single “Récif.” The track begins with classical-style acoustic guitar before exploding into an atmospheric electronic progression. Blending heavy bass, ghostly synths,

“Nowhere” is an affecting new single from Melbourne-based artist Julie Paschke, thematically unveiling an exploration of unconventional living amidst folk and rock stylishness. Opening with dreamy vocals and jangling acoustic guitar, the

At 84, retired British filmmaker Richard William Jenkins releases Album One. Melding his self-made acoustic guitar with affecting vocals, the poignant folk collection explores personal freedom, grief, and resilience. “I’m Not Lonely”

Houston-based artist Shelia Moore-Piper delivers an optimistic, soulful charmer via new track “Show Love,” from her album The Love/Soul Session Vol. 2. Blending silky R&B vibes with smooth horns, crisp percussion, and

Anglo-Arab singer-songwriter Layla Kaylif infuses traditional folk with a contemporary lens on her latest single, “Black Is The Colour.” Recorded at London’s Air Studios with producer Rupert Coulson, Kaylif weaves original lyrics